Film Sound Designer **Zone of Interest & Poor Things** also Nope, The Favourite, Ammonite, Under The Skin, Waves, The Lobster - yep they're all too loud
First day mixing at Fox studios this morning, forgot my photo ID. Luckily I could pull a freshly minted Oscar from my bag for entry. Got a golf buggy & a security guard escort!
Great chatting with Robert Abele at the Los Angeles Times about the importance of sound in The Zone of Interest. Out in theaters starting December 15
@A24
@latimes
@zoneofinterest
@impact24pr
#TheZoneofInterest
uses sound in a way that is not only groundbreaking but will never leave the audience’s mind even long after the film ends.
@JillianChili
had a great discussion with
@johnnieburn
about his work on the sound of the Jonathan Glazer film 🥀
Congratulations to POOR THINGS Johnnie Burn, Tristan Baylis and Peter Russell on their nominations for Best Sound Editing – Feature Dialogue / ADR from the MPSE Guild!
#PoorThingsFilm
So Oscar paid dust to nopemovie sound but audiences & crits sure didn't, so congrats entire sound team on NOPE, b super proud!
@wavestudios
Dhyana Carlton-Tims
@cs_foley
Alex Belizia Tristan Bayliss José Garcia Jonathan Fuh Dee Vlachos Eric Potter UniStudioPost
Well done team
@wavestudios
'Nope' spoiler-free review: "What they've orchestrated as the soundscape of this film is otherworldly in a way so haunting that I literally had nightmares just about these sounds"
Which film had the Best Sound? <better represents the modern workflow, is an easier question to answer, and will steer toward the artistry involved more so than the repetitive technical feat scenario. But
@51
% of a films' immersion let's have 7 nominees!
@JustinCChang
led a spirited Q&A at the
@TheNYFF
Sunday screening of Yorgos Lanthimos’s triumphant new film Poor Things with the director, costume designer Holly Waddington, production designers Shona Heath and James Price, composer Jerskin Fendrix and sound editor Johnnie Burn.
Join us in conversation with the Bafta nominated director Francis Lee & award winning sound designer Johnnie Burn. Hear about their work together on 'Ammonite,' and their top tips for indie filmmaking and sound design.
RSVP here:
This week on The Power of Sound we meet sound designer
@johnnieburn
who's worked on films like The Favourite, The Lobster + Under The Skin. He talks about his fascination with everyday sounds + how temporarily going deaf got him into it in the first place:
Critic's Pick
@nytimes
"A romance for the ages"
@latimes
"An exquisite achievement"
@sfchronicle
"One of of the finest films of the year"
@Telegraph
Kate Winslet and Saoirse Ronan star in Francis Lee's AMMONITE.
In theaters now and on-demand 12.4
New from Al and Linda Lerner on Movies and Shakers: Interview with Waves stars Kelvin Harrison, Jr., Taylor Russell and Writer/Director Trey Edward Shults talking teen angst, family and sound design.
@Jamyama_Studios
@atticsound
I stealthily followed Scarlett Johansson around a Glasgow shopping centre with one of these in 2011 with excellent results.
@EnosDesjardins
@lydrummet
I loved working on Waves so much, even the printmaster drew a tear. Trey Edward Shults is such a genius, i was lucky to goal hang in his visceral immersion = raw emotion world.
@alaricdirmeyer
@Hoytearchives
was soooooo nice to have such enormous height channel possibilities with all that 'sound above us'! sound here owes so much here to camera work!
@AwardsCircuit
@TheAcademy
Which film had the Best Sound? represents well the increasingly normal workflow, is an easier question to answer, and will hopefully steer better toward the artistry involved. But hey, its 51% of a films' immersion, right?
So let's have 7 nominees!