
slimzim
@jameszimmermann
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Bread and Clarinet || Father of 3 Girls || Homeschooler || Catholic || 10x Certified Salesforce Developer || Content © Me
Nashville, TN
Joined March 2009
Gonna audition for Principal Clarinet of the Knoxville Symphony on September 15th, good opportunity for me to get back in the game. Will take me all 7 weeks to get into competitive shape, I'll post my progress along the way, show you all how it works. Should be fun. Wish me luck!
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Kell is correct that “futile movement should be avoided” when tonguing, and admits that while it’s easy in principle, it’s difficult in actuality because of the small “margin of safety.” Clarinet is a game of millimeters, takes a lifetime to master. And it’s never perfect.
Working out my tongue with No. 1 from “17 Staccato Studies” by Reginald Kell, the best book on the subject. Players who articulate well go far in auditions, father than those with great sounds who can’t tongue. If you’ve got both, you’re golden. Gotta be clear to be a contender.
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A good audition list gives the candidates a chance to succeed, a bad list full of landmines and short on lyricism eliminates soulful players and selects for audition jocks. No one wants a roboplayer in the orchestra. Knoxville’s list is very good. Excited to get to work on it.
@jameszimmermann I looked over the list before I read your comment and I was about to type the same exact thing. I talk a lot about auditions with my colleagues in the trumpet section. Also with former students who now run their own sections. This is a good list. It’s all standard rep.
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The Saltarello from Mendelssohn’s “Italian” Symphony No. 4 is the hardest excerpt on the list. The “Italian” was famously used in “Breaking Away” (1979), here’s the passage Knoxville is asking:
@jameszimmermann Which do you find most challenging?.
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RT @cimmerian_v: “Honey, the random guy we’re golfing with walked up to the first tee with a speaker blasting Antonin Dvořák’s “Allegro con….
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In the ~30 orchestral auditions I’ve taken, “possible sight reading” has been listed almost every time, but I’ve never been asked to do it. Sight reading is not really a required skill for orchestral musicians, but for studio musicians, it’s tops.
@jameszimmermann "Possible sight reading".
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Institutions exerting mind control over employees happens at lower levels too, like orchestras. That's the message I've tried to spread: Not just the story of getting fired from an orchestra, but the tremendous power of ideology over artists once it becomes institutionalized.
This just goes to show you the immense power of controlling deep state institutions and the media. You can craft any narrative at all. Something to keep in mind when you hear people whine about attacking judges, firing bureaucrats and going hard on universities. If you don’t do.
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