Over the moon to have my in the flesh copies of Transmedia Terrors in Post-TV Horror! Published by @AmsterdamUPress. Available at https://t.co/1QfifTEIYx

382 films watched in 2024. A new high score for me. Highlights were watching Black Christmas on the big screen, revisiting Bong Joon-Ho’s body of work, and Perfect Days.

Hollywood Progress Has Plateaued for Directors Who Are Women or People of Color

New issue 22.3 online! https://t.co/ErtquDdcCI Special Issue on “Transnational Horror Media Now” edited by @maxbledstein Special Dossier on “Horror Fans and Audiences” guest-edited by @jamesrendell87 and @kte75 @tandfonline @filmstudiesff

"Transnational Horror Media Now" is the new issue of @nrftsjournal: spooky Oz kids' TV, heavy breathing in MIDSOMMAR, Joe Bob Briggs as horror guru, William Castle's THE TINGLER & the fanbase of BATTLE ROYALE. Last two #openaccess! @kte75 @jamesrendell87 https://t.co/Gxigpkn19e

Very pleased to announce the publication of my guest-edited special issue of NRFTS: 'Transnational Horror Media Now' The issue includes an excellent special dossier on 'Horror Fans and Audiences,' guest edited by @kte75 and @jamesrendell87 https://t.co/Icj4lKwVoI

And as part of the @NRFTSJournal's special dossier on horror fans and audiences I got to write about my favourite film of all time. You can read my open-access article on Battle Royale fans here: https://t.co/50inbaWtvq

Thrilled to see published the special dossier on Horror Fans and Audiences (that I co-edited with @kte75 ) as part of the @NRFTSJournal's new issue on Transnational Horror Media. It features some great contributions! You can read our introduction here:

I’m on here (for now), but can also be found on Bluesky

🔥🔥HORROR ACADEMICS ASSEMBLE! 🔥🔥 Get yourself to @EdinburghUP immediately for 75% off most ebooks. All the horror/gothic nonfiction titles below, plus many more I couldn't fit in the photo, are $6.00-$10.00 USD. Scary! Educational! Cheap! #EUP75 https://t.co/WFArXuFnOw

With @NightTideMag's expansion, we're always looking for new and diverse voices for our magazine. Want to write for NightTiide? Here's what we're looking for - You can always tell us how you'd like to interact with NightTide Mag here: https://t.co/e6W2PRJVmr

1/2 Riverside and Grangetown declare an Anti-Fascist Zone. Around 40 new road signs like this appeared in part of Cardiff last night put up by a group of neighbours who wished to demonstrate community opposition to racism and fascism.

Battle Royale “Perfect Collection” German Edition. 14th version I own of this film. My wife: “Stop buying the same movie!”

Thrilled to have my article on His House, its unknowable and inhospitable space, and the horrors of refugeedom in the UK published in @EthicalSpacer. The piece is open access and available here: https://t.co/O1kPsZHkGM

Check out this (limited) CFP for chapters on horror-comedy that focus on a "case study" from certain regions, specifically, European, South American, Asian, African, or Australian horror-comedy films. #CFP https://t.co/AvdnlWPT7J

Memories of Horror Studies Now 2024 @NorthumbriaUni https://t.co/0dXxR0zCTV #horrorNU #horrorstudies #CultureCreativityNU

Brilliant papers, brilliant panels, but most of all brilliant people. Had the best time at @HorrorStudies

HORROR STUDIES NOW is... now! #horrorNU #horrorstudiesnow24

If you missed our fantastic event "DID YOU HEAR THAT?" HORROR AND THE SONIC feat. @jamesrendell87 Steve Halfyard @TWatsonviolence @identykit last week, you can watch the full video now:

PAID DIRECTOR SHADOWING OPPORTUNITY from the incredible @R4tuneDirector on film ft. Rory Kinnear & Maria Bakalova 🎥♥️ Based in Wales & neurodivergent and or disabled - send CVs & cover letter/ video to nan@onewavefilms.co.uk by June 3rd.

This is happening this Saturday! Come to our @flatpack screening at @mac_birmingham and Into Film, Cat Lester and I will walk you through Gremlins’ fascinating censorship history as it reaches its 40th birthday! Ticket details at: https://t.co/JTy7lj8IJS…… #horrorNU