James Rendell
@jamesrendell87
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Lecturer in Creative Industries at University of South Wales. Researching media audiences, horror, film & TV, inclusivity & diversity. FHEA. He/Him
Joined May 2012
Over the moon to have my in the flesh copies of Transmedia Terrors in Post-TV Horror! Published by @AmsterdamUPress. Available at
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382 films watched in 2024. A new high score for me. Highlights were watching Black Christmas on the big screen, revisiting Bong Joon-Ho’s body of work, and Perfect Days.
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RT @IndieWire: Hollywood Progress Has Plateaued for Directors Who Are Women or People of Color
indiewire.com
The latest Inclusion in the Director’s Chair report reveals little change for directors who are not white men.
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RT @NRFTSJournal: New issue 22.3 online! Special Issue on “Transnational Horror Media Now” edited by @maxbledstein….
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RT @HorrorLex: "Transnational Horror Media Now" is the new issue of @nrftsjournal: spooky Oz kids' TV, heavy breathing in MIDSOMMAR, Joe Bo….
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RT @maxbledstein: Very pleased to announce the publication of my guest-edited special issue of NRFTS: 'Transnational Horror Media Now'.The….
tandfonline.com
Transnational Horror Media Now. Volume 22, Issue 3 of New Review of Film and Television Studies
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And as part of the @NRFTSJournal's special dossier on horror fans and audiences I got to write about my favourite film of all time. You can read my open-access article on Battle Royale fans here:
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Thrilled to see published the special dossier on Horror Fans and Audiences (that I co-edited with @kte75 ) as part of the @NRFTSJournal's new issue on Transnational Horror Media. It features some great contributions! You can read our introduction here:
tandfonline.com
This introduction to the New Review of Film and Television’s special dossier on horror fans and audiences discusses how the study of horror viewership has frequently been limited to certain US cult...
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I’m on here (for now), but can also be found on Bluesky
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RT @HorrorLex: 🔥🔥HORROR ACADEMICS ASSEMBLE! 🔥🔥 Get yourself to @EdinburghUP immediately for 75% off most ebooks. All the horror/gothic nonf….
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RT @MoMoshaty: With @NightTideMag's expansion, we're always looking for new and diverse voices for our magazine. Want to write for NightTii….
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RT @DrRoundglasses: 1/2 Riverside and Grangetown declare an Anti-Fascist Zone. Around 40 new road signs like this appeared in part of Car….
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Battle Royale “Perfect Collection” German Edition. 14th version I own of this film. My wife: “Stop buying the same movie!”
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Thrilled to have my article on His House, its unknowable and inhospitable space, and the horrors of refugeedom in the UK published in @EthicalSpacer. The piece is open access and available here:
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RT @DawnKeetley: Check out this (limited) CFP for chapters on horror-comedy that focus on a "case study" from certain regions, specifically….
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RT @HorrorStudies: Memories of Horror Studies Now 2024 @NorthumbriaUni #horrorNU .#horrorstudies #CultureCreativity….
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Brilliant papers, brilliant panels, but most of all brilliant people. Had the best time at @HorrorStudies.
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RT @BAFTSS_Horror: If you missed our fantastic event "DID YOU HEAR THAT?" HORROR AND THE SONIC feat. @jamesrendell87 Steve Halfyard @TWatso….
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RT @PrimetimeNetwrk: PAID DIRECTOR SHADOWING OPPORTUNITY from the incredible @R4tuneDirector on film ft. Rory Kinnear & Maria Bakalova 🎥♥️….
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RT @kte75: This is happening this Saturday! Come to our @flatpack screening at @mac_birmingham and Into Film, Cat Lester and I will walk yo….
flatpackfestival.org.uk
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