HorrorLex Profile Banner
Horror Lex® Profile
Horror Lex®

@HorrorLex

Followers
2K
Following
353
Media
893
Statuses
1K

Horror Lex® (https://t.co/Ajqow6ZRlG) is the home of academic horror. Explore our huge research database of scholarly, thoughtful writings on horror films. #horror

Joined May 2021
Don't wanna be here? Send us removal request.
@HorrorLex
Horror Lex®
10 months
Horror Lex will no longer be posting here daily, or perhaps at all. Please join us at https://t.co/fSxNuExkcz (which has a nice little academic/film community, by the way) and continue to enjoy our site https://t.co/uk3b1KZ4sM, which isn't going anywhere. Awooo!
2
0
3
@HorrorLex
Horror Lex®
10 months
We agree with William Burns that CRUISING (1980) is an "underrated, misunderstood masterpiece" about a serial killer lurking in the S&M shadows. Read his new essay in @blfj to revisit the film's production and legacy. #openaccess https://t.co/SsE59MA3qN
0
0
1
@horrorhomeroom
Horror Homeroom
10 months
A longer think piece by William Burns on Fritz Lang's M & its influence on representations of serial killers (Burns also wrote the brilliant Ghost of an Idea: Hauntology, Folk Horror and the Spectre of Nostalgia, from @Headpress) https://t.co/OaGQ1PAFeR https://t.co/1GuxCDRmN8
0
4
12
@Headpress
Headpress
10 months
An excellent piece on Fritz Lang's M over at @horrorhomeroom. Author William Burns is also the mind behind our latest book, Ghost of an Idea: Hauntology, Folk Horror and the Spectre of Nostalgia. #fritzlang #peterlorre #serialkillers #cultfilm https://t.co/qIEgOv3ZBz
horrorhomeroom.com
The Art of Murder: The Continuing Influence of Fritz Lang’s M on Horror Homeroom
0
2
7
@HorrorLex
Horror Lex®
10 months
In the wake of David Lynch's death, those inspired to write about his signature real-as-surreal style should check out our blog. We've pulled together 75+ books & essays about Lynch and his films that are **FREE** to read/download. #davidlynch #openaccess https://t.co/oks63K57Nv
0
2
10
@HorrorLex
Horror Lex®
10 months
Another *free* ebook from @CambridgeUP's gothic series, from the venerable @maishawester. "African American Gothic in the Era of Black Lives Matter" looks to GET OUT, CANDYMAN '21, LOVECRAFT COUNTRY and more, w/in the movement that helped define our times. https://t.co/3TcGBuAF1z
1
17
28
@HorrorLex
Horror Lex®
10 months
When we think of an '80s teen icon, why is it Ferris Bueller and not Freddy Krueger? Cullen Wade asks a good question and crunches the box office numbers at @HorrorHomeroom #openaccess #horror https://t.co/zMntZXLhD5
0
2
2
@HorrorLex
Horror Lex®
10 months
Bonus note: The authors compare ATLANTIQUE (the feature-lenth version of Diop's two films) with John Carpenter's THE FOG (1980), including with some side-by-side screenshots. How did I not notice that similarity before??
0
0
0
@HorrorLex
Horror Lex®
10 months
How can we use ghost stories like Mati Diop's ATLANTICS (2019) to teach about post-colonial hauntings of French-speaking Africa? Find out in Doyle D. Calhoun & Jill Jarvis's new essay in @YaleFrenStudies. Normally e-embargoed but it's #openaccess pre-pub! https://t.co/UZynjHZLi5
1
0
3
@HorrorLex
Horror Lex®
10 months
The cover story of this Winter's American Entomologist asks: "Are Entomologists Mad Scientists (According to #Horror Movies)?" Maybe--I've seen PHENOMENA, and that McGregor guy is sketch. Author Edwin Harris / access via Oxford Academic @EntsocAmerica https://t.co/ftJcIYHHih
0
0
1
@HorrorLex
Horror Lex®
10 months
A fascinating exploration of a 1960 #horror film shot thru w/Mexico's socio-political turmoil. Read Raúl Rodríguez-Hernández & Claudia Schaefer's "Orlak, The Hell of Frankenstein: Screen Monsters and Mexican Modernity" #openaccess in Transmodernity. https://t.co/eWHyzIkYid
0
0
2
@HorrorLex
Horror Lex®
10 months
We missed this over the holidays, but check it out --- SAW and vampires, SAW and philosophy, SAW traps as queer!
@ScholarHorror
HORROR SCHOLAR
11 months
Oopsie daisy, look what I dropped: https://t.co/fiZMVQn1N9 The sixth issue is OUT! #horror
0
1
1
@HorrorLex
Horror Lex®
10 months
Data Note 6B: As a final caveat to this entire series, the indexing at Horror Lex is done by a human, not AI. Subjectiveness abounds. Also, we have access to the text of the vast majority of the 2024 works, but not 100%. Take all this data as trends, not hard science.
0
2
2
@HorrorLex
Horror Lex®
10 months
0
3
5
@HorrorLex
Horror Lex®
10 months
(6/6) The Horror Lex Year in Review concludes! #HorrorLex2024 Over 800 people contributed to at least one work in the Horror Lex index in 2024 as author or editor. We ❤️ you all! But let us thank those prolific few who contributed the most works this year. Do y'all ever sleep?
4
4
11
@HorrorLex
Horror Lex®
10 months
Data Note 5A: This is based on a small number of works, and almost all are articles/essays rather than books - but that's the point. Usu. it takes a few years for very new films to trickle into the zeitgeist, but these films were so hot, people have been writing about them ASAP.
0
0
0
@HorrorLex
Horror Lex®
10 months
(5/6) The Horror Lex 2024 Year in Review continues! #HorrorLex2024 Third, to get a sense of the most talked-about films of the moment, we took the subset of Trending Films that were released in 2023 or 2024. The Substance was first with a bullet:
1
0
3
@HorrorLex
Horror Lex®
10 months
(4/6) The Horror Lex 2024 Year in Review continues! #HorrorLex2024 Second, what films were not just talked about but heating up? We looked at just those films that were the sole/primary focus of a particular work. Note what changed & what didn't - including a swap of Candymans!
0
0
1
@HorrorLex
Horror Lex®
10 months
Data Note 3A: PSYCHO has held the overall most-discussed-film spot at Horror Lex since we began. Not surprising: it's both a key film in horror history AND people have had decades to write about it. Will be interesting to see if any film rivals it as the years go by.
0
0
0
@HorrorLex
Horror Lex®
10 months
(3/6) The Horror Lex 2024 Year in Review continues! #HorrorLex2024 What films were hot topics? We sliced that data in three ways. First, this is the uncorrected raw results: the films that were substantively discussed the most, period.
1
0
1