Félix Bigand
@felixbigand
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Postdoc @IITalk | Neuroscience, movement, music and dance Neuroscience of Perception & Action Lab, Rome Drummer in Panache! - https://t.co/kqdjwbQ5b8
Rome, Italy
Joined March 2020
I like discussing research here. What I don't like is seeing what this social network has become, what it's used for and who owns it. From now on, I'll only be posting here: https://t.co/hz3ZkIa3Je see you there!
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The funniest poster teaser video on Day 1 of #NeuroMusic ! Thank you @felixbigand for sharing your impressive study on synchrony in dance 🕺
Thrilled to share our new paper on Dance🕺 in @CurrentBiology! We find that music🎶 and partner💃 driven synchronies unfold independently, even when they occur simultaneously. How? Thanks to a spatial, geometric organization. https://t.co/eCInJ4Rq3R 1/n - More details below 👇
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This is finally out, after so many years in the making! 🥹🥹 We have a new paper out in PNAS today! "Aligning the smiles of dating dyads causally increases attraction" ❤️ @PNASNews A thread... 🧵🧵
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Would you like to come study with us for a two-year Master’s in Music and Science? The next application round will be open in January 2025. Find out more information by attending the University of Jyväskylä’s Application Day online event on October 11!
jyu.fi
Applicants Day is a free online event for anyone interested in international master's degree programmes at the University of Jyväskylä.
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RT @SilviaLeonetti_: Sound and movement are a golden combination in animal communication! In our new OA paper, on Neuroscience & Biobehav…
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Just out: “Non-invasive #EEG in awake #cats” https://t.co/xk870lvUDV — The first base is secured to move to inter-species #hyperscanning recordings! :) #DogsNext #StayTuned
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Last week I lost not only a spiritual father, but also the genial inspiration of a scientist with a marvellous eye for music, and pioneering work on music from Sardinia, Romania, Albania.. More about his work here: https://t.co/uVuoA86hRx à bientôt, en musique 🤍
Nous avons appris le décès récent de l'ethnomusicologue Bernard Lortat-Jacob... Edouard Fouré Caul-Futy le recevait en 2014 sur France Musique : ils partaient ensemble à la rencontre des musiques de Corse, Sardaigne, d’Albanie, de Roumanie et du Maroc. https://t.co/JNIYnVXRU3
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Le soulagement est à la hauteur de l’inquiétude de ces dernières semaines, il est immense. Félicitations à tous les Français qui se sont mobilisés pour que ce beau pays qu’est la France ne se retrouve pas gouverné par l’extrême droite. 🙏🏾🇫🇷
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Our work on music and social sharing is now on the cover of @iScience_CP ! 🌍🎶🧠 Huge thanks to @graceluce ( https://t.co/0QhqT6pfH6) for the amazing cover art! You can find the full article here 📜 https://t.co/mwlXCXzPGv
#musicscience #SocialSharingSeries
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💡New paper💡Discover how fNIRS allows to ecologically track brain activity during diverse music experiences🧠🎶Our systematic review (with @btill_lyon and @ferreri_laura ) published on B&C explores fNIRS applications for more ecological and inclusive #musicscience studies👇1/7
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This is the first study from my postdoc in @NovembreGiacomo's lab! None of this would have been possible without my colleagues and co-authors @RobertaBianco0 @sarafernaandez and @NovembreGiacomo. Thanks to @ERC_Research for funding the project and to our host institution @IITalk
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Together, these results demonstrate that social synchrony in human dyadic dance stems from simultaneous, independent, and spatially organized yet temporally indistinguishable types of synchronization. #dance #socialinteraction #music #kinematics 8/n
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Bounce: a supramodal pace setter? Our results suggest that bounce is somehow special - it was the only PM to: 1. Synchronize through both music and partner. 2. Enhance in amplitude when participants could see the partner. 3. Synchronize to the musical beat. 7/n
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Further highlighting the importance of such spatial organization, our work also demonstrates that the independence between music- and partner-driven synchrony cannot be explained when only relying on temporal features. 6/n
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Through a further data-driven analysis, we find that this independence is enabled by a spatial organization, referred to as a “geometry” of interpersonal synchrony, which distributes distinct synchronies (music- or partner-driven) across distinct spatial axes and body parts. 5/n
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Examining how these PMs synchronized interpersonally, we demonstrate that music-driven and partner-driven synchronies are orthogonal, i.e. independent, even when they occur simultaneously. 4/n
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Using a data-driven method, we decomposed the full-body kinematics of the 70 participants into 15 principal movement patterns (PMs), reminiscent of common dance moves, explaining over 95% of kinematic variance. 3/n
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To study the interplay between music-driven and partner-driven social synchrony, we tracked full-body kinematics from dyads of human participants freely dancing to music in a ‘silent disco’ setting. We manipulated musical input and visual contact in a 2x2 factorial design. 2/n
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