Electronic Arts Intermix (EAI)
@eai_org
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Founded in 1971, EAI is a nonprofit resource that fosters the creation, exhibition, distribution & preservation of moving image art.
New York, NY
Joined April 2011
Ground Glass Award 2023 to Anthony Ramos!!! Well derserved!! Thanks to @ScreenSlate and @prismaticground for making these works available!!!!!
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THIS LINEUP from @eai_org : Nor Was This All By Any Means: A Career-Spanning Series with Anthony Ramos early video art + refusing the vietnam draft + surviving incarceration + performance art + ephemera + mass media?! cannot miss Mao Meets Muddy (1989) https://t.co/3xrVjRJabn
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Tonight! Kicking off a week of Ramos.
@ScreenSlate Tomorrow at @DCTVny! A screening of About Media (1977) and Decent Men (1977/2013), which document Ramos's imprisonment for conscientious objection and subsequent media appearance. Followed by a conversation with Jake Perlin (@TheFilmDesk). Tickets here: https://t.co/sMkNxnCw8m
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@ScreenSlate @DCTVny @TheFilmDesk And Tuesday, April 25th—EAI and the Colloquiuum of Unpopular Culture screen Mao Meets Muddy (1989), Ramos and Frederick J. Brown's travelog of Beijing. Followed by a conversation with Ramos and Bentley Brown, Frederick's son. At NYU. Non-NYU RSVP here: https://t.co/VldXBmIxCG
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@ScreenSlate @DCTVny @TheFilmDesk Saturday at 2 pm at EAI! Ramos and Catherine Quan Damman appear in conversation for a career-spanning artist talk, discussing the many avenues of Ramos's work. Screening the dense video-collage Nor Was This All By Any Means (1978). RSVP here: https://t.co/9ni3rgWlxk
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@ScreenSlate Tomorrow at @DCTVny! A screening of About Media (1977) and Decent Men (1977/2013), which document Ramos's imprisonment for conscientious objection and subsequent media appearance. Followed by a conversation with Jake Perlin (@TheFilmDesk). Tickets here: https://t.co/sMkNxnCw8m
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Available to read now: a conversation between Ramos and EAI's director Rebecca Cleman in @screenslate, covering his friendship with Allan Kaprow, the early days of CalArts, and Ramos's wily performances (documented and otherwise).
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Streaming online - Full Disclosure: Selected Video-Performances, 1972-75, an array of works produced while Ramos was a student at CalArts. Featuring experiments in duration, time, comfort, and identity, influenced by his mentor Allan Kaprow. Watch here: https://t.co/YCvXaDs2pn
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This week! EAI presents a series of programs around the work of Anthony Ramos, one of the earliest artists to use video as a tool for mass media critiques and cultural documentation. He'll appear in person, in NY from southern France. More info here: https://t.co/SSIV6NQwrm
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A major yet under-recognized pioneer of video and performance art, Anthony Ramos makes a rare trip to NYC for a series of programs organized by @eai_org EAI's @ragingvideot sat down with Ramos for a career-spanning conversation
screenslate.com
Anthony Ramos was among the earliest artists to use video as a tool for mass-media critiques and cultural documentation, producing an eclectic array of video works between 1971 and 1989 that range...
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🍿check out this @eai_org program where we have premiered Three Moons our most recent single channel work. Among truly legendary video artists https://t.co/wkzRzDv7Ze
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Tonight! Maintaining Clarity, a selection of recent titles in distribution. Followed by a casual conversation with Cecelia Condit, LoVid, Shelly Silver, and C. Spencer Yeh. 👄 More info: https://t.co/nAF8ncs5I9
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Heads up NYC 2/28 Three Moons will be screening at @eai_org
https://t.co/2nGtGsv02q join us on tuesday, february 28th for Maintaining Clarity: recent works in distribution, a free screening of titles new to EAI catalogue.
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Now online: watch Frank Heath: Three Works, an online, closed-captioned program of 3 videos by the artist examining topics including public pay phone infrastructure, supply-chain logistics, nuclear waste repositories, and home safety. 📞🔥 Watch here: https://t.co/NJ57jcNlHz
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Tonight! Join us for a screening of works by Frank Heath plus a conversation with the artist. It's @ScreenSlate's featured screening of the day, with a nice write-up by Terrence Arjoon. Read here: https://t.co/GLnLVbMQqq
screenslate.com
In Frank Heath’s Last Will and Testament (2021), cool blue waves cascade southwesterly across the screen; a storm system surges on the horizon. A voice, the actor Jesse Wakeman’s, is on the phone...
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Don't miss this guaranteed-to-be-wonderful event tomorrow with Frank Heath—who contributed to our twenty-first issue—organized by our friends and officemates @eai_org.
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Join EAI on Tues, Dec 6th for a screening with Frank Heath, followed by a conversation with the artist. His videos contemplate vast subjects through "observational documentary, landscape portraiture, droll humor, and prank phone calls." 🏠 More here: https://t.co/pnVrEQxOU1
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On the eve of Charles Atlas’s exhibition closing, read @bradfordnordeen on Atlas’ 1991 video “Son of Sam and Delilah,” film-making in the AIDS crisis, and the legacy of New Queer Cinema, now on #PWBroadcast. https://t.co/tiS7OKAAaK
pioneerworks.org
Charles Atlas’s video "Son of Sam and Delilah" reflects the gory crises of its time.
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