A modest EOY update/website revamp. Notably, my academic paper 'Time, Memory Retrieval, and Speculative Storytelling' will be published in the peer-reviewed journal photographies with Taylor & Francis (April, 2026) about my practice-led research. 🦾 https://t.co/HesTg5bgCF

Now, I'm home for the holidays, planning out 2026: two exhibitions in NYC, two residencies, several writing commissions already on the books, the production of a new body of work, a slew of studio visits, and the publication of my first peer-reviewed paper. Here's to 2026!

I began my Writer-in-Residence with @BottoDAO where I contribute Dada-inspired posts about @bottoproject's weekly mints. I was awarded a residency at Catwalk in the first quarter of 2026, where I plan on sequencing Psychic Telephone's forthcoming book and exhibition (!!).

In November, I flew to Norway for the @lumenprize ceremony because 'An Incantation in Twelve Prompts' was nominated for the Still Image category. I also partook in a whirlwind of silliness w. @_nonfigurativ_ @kev_esh @CaballeroAnaMa @Carlo_VandeRoer https://t.co/MJIMddprzS

In October, a photograph from 'If Not Here, Then Where?' was included in the faculty exhibition at @ICPhotog. I began my Substack, where I interview artists about the risks and rewards of engaging with technology. https://t.co/bKCMQhRdaA

In September, 'Psychic Telephone' and 'An Incantation in Twelve Prompts' were exhibited at St. Lawrence University. I had the privilege of doing an artist talk, workshop, and attending the reception. Later in the month, 'Psychic Telephone' flew to Indonesia for JIPFest.

In July, I received my first @nytimes Opinion art commission. https://t.co/zp6wk3oQYh And my first writing commission for @OculaArt, reviewing Raque Ford's show at Greene Naftali. https://t.co/m2C2MiNiEs

In May, I spoke at the Ethics & Aesthetics in Artificial Intelligence conference in Venice, Italy, about control and human-machine collaboration, which featured my series, Psychic Telephone. https://t.co/qjEd3qAb6J

In April, I wrote two exhibition reviews: one for Dear Dave Magazine about Mungo Thomson's solo at Karma and Dana Karwas' show at Spill 180. https://t.co/gLp698jOaC https://t.co/bJ4LKnwkKZ

In March, I was commissioned to write my first long-form reported feature on the funding challenges that trans photographers face in the U.S. under the Trump administration and what that means for the broader community for @bjp1854 https://t.co/jLYGFQFj3L

In February, my series 'An Incantation in Twelve Prompts' was curated by Joanna Zylinska for the Der Greif Guest Room exhibit, "WHERE is the photographic image?" https://t.co/5bqstk4OMG My conversation with Eman Ali was published in material supporting her series, 'Elsewhere'.

In January, I was invited to contribute to a semi-regular column on @_TheTransmitter about NeuroAI, the field that bridges neuroscience and AI, using brain science to improve AI and AI tools to understand the brain. https://t.co/XyRnkpdFzk

2025 WRAP UP What a weird, wild year it's been, but ultimately a net-positive as far as my art practice is concerned. 🧵Here's a little recap:

Somehow, against all odds, I manage to muster the imagination required for hope to grow.

I never get tired of seeing Magritte up close and personal.

𝗩𝗶𝘀𝗶𝘁𝗶𝗻𝗴 𝘄𝗿𝗶𝘁𝗲𝗿 @danielleezzo 𝗼𝗻 Engagement Metrics Laundering Cycle: I keep circling back to the Simone Weil line: “Attention is the rarest and purest form of generosity.” It might seem a little odd to reference a French philosopher and mystic from the early

This week’s Substack is with Liliana Farber. We discuss the illusion of objectivity in cartographic images, the real ecological and political costs of “immaterial” infrastructures like the cloud, and fictional servers on flagless boats. Enjoy. https://t.co/BAmPkE3lYj

"Antimemetics" named one of the best books of the year by The New Yorker, Dazed, and Art in America

𝗩𝗶𝘀𝗶𝘁𝗶𝗻𝗴 𝘄𝗿𝗶𝘁𝗲𝗿 @danielleezzo 𝗼𝗻 𝗘𝘅𝗲𝗰𝘂𝘁𝗶𝘃𝗲 𝗪𝗲𝗮𝗿𝘀 𝗦𝗰𝗿𝗲𝗮𝗺𝗶𝗻𝗴 𝗠𝗮𝘀𝗸: Dean Kissick frames the vulgar image in his recent essay in 𝘚𝘱𝘪𝘬𝘦 as the true image of our time: machine-expressed, made from everything and nothing, and scraped from

𝗩𝗶𝘀𝗶𝘁𝗶𝗻𝗴 𝘄𝗿𝗶𝘁𝗲𝗿 @danielleezzo 𝗼𝗻 𝗪𝗲𝗲𝗽𝗶𝗻𝗴 𝗕𝗲𝗰𝗼𝗺𝗲𝘀 𝗣𝘀𝘆𝗰𝗵𝗲𝗱𝗲𝗹𝗶𝗰 𝗔𝗻𝗮𝘁𝗼𝗺𝘆 𝗦𝘁𝘂𝗱𝘆 I have this book on my shelf called 𝘛𝘩𝘦 𝘚𝘪𝘤𝘬 𝘙𝘰𝘴𝘦, an archive of medical illustrations where bodies are opened, dermis peeled back. Each