OPEN CALL FOR PUBLICATION (link below).Deadline: September 1st. 邊界_RG invites writers, curators, theorists, artists and practitioners to contribute a new piece of writing for our platform. What epistemic and ontological consequences arise when artificialization, algorithmic

This month we have also launched an OPEN CALL for publication in our site (Deadline Sep 1st // Link below), seeking researchers, artists, curators and writers. Submissions should explore how the intersection of language, algorithmic processes, and experimental aesthetic

6. The A-Subject & Its Consequences, Alexandre Montserrat (@libermontserrat). “The system’s hunger is structural. It must process not because it chooses to but because processing is its imperative. This logic does not need to administer or control pre-existing subjects; instead,

5. What is Artificial Experience (AX)? Why the Application Layer Is the Interface and the Human Is the Limit, William Morgan (@Restless_Egg). “If we change our focus to locate intelligence as an infrastructural output of AI, we resolve both the inertia of nominative determinism

4. What we do in the shadows, Ivar Firsch (@FrischIvar), Jenn Leung (@jennnital), Chloe Loewith. “If intelligence is indeed characterized by the ability to hide it, then current LLMs might already be exhibiting Konior's DFTOI. Their capacity for deception, their silent and

3. Text Box: Eschatology of the Digital Visage, Algorithmic Flesh and Confessional Aesthetics in the Work of Ian Margo, Giorgi Vachnadze (@BionicSeneca). “The digital pastoral dreams of whole bodies, cleanly coded, fully resolved. the wet box dissents in liquid apostasy. It

2. Ruins Without Nostalgia, Marcos Parajua. “What remains after an event? Does language prevail over an image or a sound in presenting 'that which remains'? Edmund Burke invokes Milton: '(Over) many a dark and dreary (valley) They (passed), and many a region dolorous; (Over) many

1. Design in Rising Winds, Flora Weil. “The world is never held still… We are already constantly performing our own identities, no longer bound to singular forms-most often out of necessity, and sometimes, simply because who we are matters less than how agency manifests.”

Over the past month, we launched 邊界_RG as an artistic collective and research group. From here, we have been working to gradually build an open space for collaboration and experimentation among artists, researchers, curators, designers, engineers, and investors. We have the

RT @german_sierra: What is Artificial Experience (AX)?. @Restless_Egg x @bianjie_systems.

William Morgan is cofounder of @Restless_Egg, an incubator for creators who use emerging technologies such as AI, game engines, and blockchain as their canvases. Restless Egg provides capital, cultural infrastructure, and strategic support to help these artists move from.

RT @libermontserrat: “What is the revolutionary experience layer that this infrastructure brings into existence for the first time? Speakin….

RT @_wetbox: Check our new publication at @bianjie_systems,,.William Morgan (@Restless_Egg): "What is Artificial Experience (AX)? Why the A….

What if the most important question about AI isn't whether it's intelligent, but what kinds of experiences it makes possible that nothing else could? William Morgan (@Restless_Egg ) argues we're living through a categorical shift - AI is becoming infrastructure like electricity,

RT @_wetbox: Working on the limit is the closest thing to building a perspective of it; the illusion of the immediate is all that remains,….

RT @bognamk: these cuties are doing a project on dark epistemology and ai. I sent them an early draft of my 'dark forest theory of intellig….

RT @TechdectEmonet: @bianjie_systems This is the kind of inquiry we *need* in the age of generative aesthetics. Excited to see how contribu….

RT @german_sierra: “What emerges is not the void of ‘memory without rememberers’, but the substantive, generative state of memory rememberi….