
d/wb
@_wetbox
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Ian Margo // d/wb is a technolinguistic project that seeks to explore navigation using abstraction models and digital media // co-founder @bianjie_systems
Joined December 2024
Giorgi Vachnadze (@BionicSeneca) talks about my “the wet box” projects: . “Similarly, the wet box is what appears as flesh refusing to become a body. Deflecting codes and breaking free from the digital pastoral. It is also the “truth”, or half-truth of cybernetic flesh. The the
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“Cultural production and research thus cannot be separated from their technical conditions precisely because both involve the systematic transformation of encounter into artifact, experience into object, process into product. The economic potential emerges not despite this.
Here I talk about "the wet box" project and its relation to language, abstraction, value production and objectification,, don't miss it! (Link below). "Practically speaking, the wet box is a flight, a tension (the tense system) toward a limit or frame. This appears as the center
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RT @german_sierra: Which spaces are truly engaging with the contemporaneity of theory within an artistic practice that is responsible with….
bianjie.systems
邊界_RG is an artist collective and research group exploring the entangled futures of language, interfaces, abstraction and posthuman subjectivity.
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RT @dif_fractions: :: We would then understand processes of artificialisation as a process of representation (what is represented / the wor….
diffractionscollective.com
邊界_RG works at the edge of language, memory, and machine cognition. Their collaboration explores the aesthetics of the recursive interplay between generative systems, speculative design, experiment…
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RT @libermontserrat: We spoke with @dif_fractions about the launch of 邊界 this summer. Our initiative born from the need for contemporaneity….
bianjie.systems
邊界_RG is an artist collective and research group exploring the entangled futures of language, interfaces, abstraction and posthuman subjectivity.
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"It is in the desert where abstractions present themselves; upon its extension the sign casts its shadow.".
Here I talk about "the wet box" project and its relation to language, abstraction, value production and objectification,, don't miss it! (Link below). "Practically speaking, the wet box is a flight, a tension (the tense system) toward a limit or frame. This appears as the center
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RT @bianjie_systems: Check our interview with @dif_fractions at our page (Link below).//."(. )This project began only a few months ago, at….
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Here I talk about "the wet box" project and its relation to language, abstraction, value production and objectification,, don't miss it! (Link below). "Practically speaking, the wet box is a flight, a tension (the tense system) toward a limit or frame. This appears as the center
Check our interview with @dif_fractions at our page (Link below).//."(. )This project began only a few months ago, at the beginning of the summer, 2025, in the final days following a long stay in San Francisco. Our objective was clear, and it arose in contrast to—and out of the
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RT @libermontserrat: “The elimination of subjectivity is thinkable as catastrophic self-effacement…”. Self-Stalking Prey: A Study for a Por….
bianjie.systems
邊界_RG is an artist collective and research group exploring the entangled futures of language, interfaces, abstraction and posthuman subjectivity.
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Check our new publication on @bianjie_systems,, Carl Olsson (@Carlolssongeo)'s "Self-Stalking Prey: A Study for a Portrait of Little Red Riding Hood".
How can a theory erase the subject while still requiring a subject to think it? Why do our oldest stories seem to anticipate this terror in advance?. In this essay, Carl Olsson (@Carlolssongeo) uses Perrault’s Little Red Riding Hood to stage eliminative materialism as a
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RT @bianjie_systems: We are looking for funding! . At 邊界_RG we are building an open space for collaborative artistic research and product….
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