the poetry. Hermetically sealed to this aural rapture. Check ya later, twerps. Heading over to an alternate universe...where nobody knows me, nobody gives a damn. https://t.co/4LvFfx6Mu9

On the heels of #tiff and #ssiff, and I had further feelings about Jonatan Etzler's 'Bad Apples.' So, I typed them up and placed them on #substack. 'I'm sorry' or 'you're welcome,' depending. https://t.co/VYs8xW1fLU

wrote a little ditty on some grievances of mine. if you're keen for a quick bit of spontaneous prose, I've placed it on #substack https://t.co/VWPKVk5osI

The brazen and filthy-sweet Armande Pigeon is the anti-heroine of the century. Long live Armande Pigeon. https://t.co/nQaqC2lnXk via #substack

#prose before bros: a #substack dalliance https://t.co/Xa6CMTP9NH

An anxious adolescent with a case of the Monday's that lasts all summer — as she dodges her insipid teen peers that place her on the brink of combustion. Wrote about Carlota Pereda's "Cerdita" again, for free on #substack. What a treat, what a terror. https://t.co/yixHqZLuGX

Cinema saved my life, and Truffaut's also. It counts for something. #The400Blows still stands as my favorite coming-of-age narrative to hit screens. So, I pondered it for this #substack essay. Read, if you're savvy. https://t.co/hYpwJbLrZx

Join us Wednesday, September 17 at 7pm @AnthologyFilm for CIDADE; CAMPO, Juliana Rojas’s (GOOD MANNERS) acclaimed new film, winner of #Berlinale’s Best Director Award. A lyrical double portrait of women navigating loss, migration & memory https://t.co/5vBBb1oqS0

Been caught having feelings on #substack again. They’re trite, taught and meaningless until you read them. Only then do they become a conduit of discussion, thought, connection. Let me know what you think. Easy reading, this go round. #substack https://t.co/lsbpM3kMe9

I have a visceral aversion to tying my passion to profit, especially when it entails watering down my voice. Anyhow, #radujude is a silly goose and i write about it for free on substack. #cinema is nifty. https://t.co/zXhpN3guYI

sloppy little words of #prose. https://t.co/m1kGmujA7Z

The best rag-tag buddy film since "Down By Law," "Lump" from Alexandre Rockwell is now streaming thanks to @factory_25. So elated that I wrote a meandering review of the film for all three of my #substack subscribers. Read on, if you're inclined. https://t.co/FCeYQTKPSu

a #stopmotion rumination. the sentiments of strangers sprawled haphazardly aside an anonymous street, #BuenosAires

lackluster snapshots of blissful tyranny. high ambition in sight. and vibes. #BuenosAires #stopmotion

From the maker of shitty photoshop (me), comes impatient stop motion. Revel in my novice before I become at expert filmmaker. You can say: "I knew her when." #buenosaires #stopmotion

FRANKENSTEIN director Guillermo Del Toro is set to receive the Ebert Director Award from Chaz Ebert at this year’s Toronto International Film Festival, as part of the TIFF Tribute Awards gala.

🎞Hoy comienza Cinemateca abierta, el ciclo que propone un acercamiento al cine de realizadores contemporáneos como Jafar Panahi, Todd Haynes, John Houston, Mike Leigh, Mathieu Kassovitz y Liv Ullman, en copias 35mm conservadas por Fund. Cinemateca Arg. 🎟 https://t.co/inthD9xSEi

Notable el caso del éxito "hormiga" de TESIS SOBRE UNA DOMESTICACIÓN. Está por cumplir tres meses en cartel, nunca se exhibió en más de 5 salas (casi todo el público lo hizo en el MALBA y el Cine Arte Cacodelphia) y ya se está acercando a los 20.000 espectadores.

no.puedo.esperar.a verlo. #ariaster #Eddington https://t.co/a3J08ljJFK

Thank you, #ChuckMangione. For all of the joy lent. Hazy Sunday morning coffee rituals — always made whole by that jazzy flugelhorn, on vinyl. https://t.co/lrTDh6f826

Buenos Aires...vamos al cine! Ciclo inolvidable. Sala Lugones. https://t.co/bNUlvAq9v7