ARTXCODE
@artxcode_io
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Championing the culture of code since 2016 | ARTXCODE is a generative art house offering artist representation, private sales, and institutional advisory.
Joined June 2016
Late Conversations: LATE VIII, 2023 by Iskra Velitchkova
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Helena Sarin ceramic of the day Register interest in ceramics below
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Over the last year we have received many inquiries about Helena Sarin's ceramics. Curation for her debut PotteryGAN solo show, coming this December in Miami, is now ready. If interested in viewing the catalog, please fill out the form below. Helena's dog Cumin for scale đ„°
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Even after the bisque firing unloading kiln is so exciting, the fire brightens colors do much!
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"To photograph people is to violate them, by seeing them as they never see themselvesâŠJust as a camera is a sublimation of the gun, to photograph someone is a subliminal murder â a soft murder, appropriate to a sad, frightened time." - @mayaonthenet on @luke_shannon_'s work
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New work from Eko33 (Jean-Jacques Duclaux) coming soon...
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never wanted, never cared to be defined by the process - ok i might use a few gen models, some glue code, lotsa paper cuts, tiny brushes, who cares what - my holy grail is the artistic challenge and the interesting outcome - gorgeously comic and grotesque
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Train to Cholula - closing time: finish your tequila, the salt and lime
Dedicated to the craft: took me two days to design and paint one cup two more to go - itâs been a long road to Cholula
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If AI is to meaningfully engage challenges of planetary consequence, its worldview must expand. "Surely, a prerequisite for any reality in which AI can confront our most pressing challenges with intellectual rigor is one in which its moral breadth is improved."
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By exposing models to SĂ©rĂšre cosmology and their ethics guided by ancestral intermediaries known as the Pangool which balance between worlds, Dounia explores how AIâs moral imagination can widen toward relational and ecological forms of ethics.
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When AI systems consistently imagine âGodâ as white, male, Western, and Christian, they reveal the narrow theologies embedded within their datasets. In doing so, generative AI becomes an algorithmic theology: reproducing hierarchies of divinity and value.
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Her premise: training data is never neutral. It carries cultural, emotional, and historical meaning, and therefore moral and proto-spiritual orientations inherited from the humans who shape it.
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Rooted in the creation myth of the SĂ©rĂšre people of Senegambia, one of West Africaâs most ancient cultures, the work explores a cosmology where the spiritual world moves through nature and ancestral presence. As a SĂ©rĂšre descendant, Dounia asks whether AI holds space for spirit.
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Over the past month, Linda Dounia has developed "replacement god" during her artist-in-residence program with Gazelli, building on the conceptual groundwork of The God Between the Waves, released this past August with Fellowship. đ§”
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Massive congrats to Angelino on acquiring "Le Thé En Rose" from Pretty in GAN by Helena Sarin. One of my personal favorites from the 2022 collection, check out the detail of the portrait on the jug...
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Title: The Smoker with the golden hat Description: End of October
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Gm âïž Reading Replacement Character â @luke_shannon_ meditation on identity, fragmentation, and the image of the self under constant capture. A beautiful book from the exhibition available now at HEFT Gallery â link below.
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