Here's a score construction time lapse of my piece for @SolemQuartet next Wed at @TungAuditorium I've loved composing in this semi-graphic sweet spot. It looks at performance gesture, exploring the fallacy of reverse engineering that back into the piece. Thank U @RoyalPhilSoc

Thrilled to announce that I’m now publishing some works through Composers Edition. Check out my profile here:

In Your Hands by Amy Bryce #TheIvorsClassicalAwards nomination for Best Community and Participation Composition in association with @ABRSM

In Your Hands - commissioned for our 10th anniversary concert @RoyalAlbertHall - has been nominated for #TheIvorsClassicalAwards! 🎉 Huge congratulations to @amybryce and the LYC members who worked on it together.

I feel like I tweet into the void at the moment the way the algorithms are, but if anyone is reading this: I did a thing, and it was great, and it was with @MezzoRosie @sarahnparkin @ithasbeenlovely and @MayaRosenwasser at @LeedsUniAHC

Always comical that the @doricoofficial playback for a top C on the flute makes it sounds as breathy, forced, and bloody difficult as possible. I promise we're not that bad!

My complaint of the morning is having to play Bach on a Steinway. Like being instructed to finely dice an onion but presented with a soup spoon.

Continually amazed by Pages stubbornly opening any Microsoft Word document like an absolute crazy person. This incompatibility spans decades and would be such an easy fix and the decision to NOT DO THAT in a laughable attempt to enforce brand loyalty is just cute at this point.

Noticing how Tik Tok trends are changing the way pop songs are written. I'm seeing a lazier approach to structure these days because once you've got that 15 sec lick that people can sync to, there's no incentive to be palatable for a further 3 mins. Interested to share thoughts!

How has this made it into the final print?! I don't know whether to laugh or cry. (me, it was me I put this in)

Happy Monday to everyone but especially to me, who just wasted half an hour meeting someone online for a potential commission. It was very silly of me to assume that just because it was all organised through an assistant that there would be ANY budget for me?!

Really great to be in Berlin this week courtesy of PRS Foundation! @ClassicalNEXT is full of good creative thoughts and nice people.

We're delighted to see three 2023 RPS Composers connecting with music-makers from across Europe at @ClassicalNEXT in Berlin this week. Have a wonderful time @amybryce @Benlunn @BlasioKavuma!

Spring has sprung and the male pigeon will puff his feathers and chase the disgruntled female pigeon and behind him, me (angry feminist unable to cope with the modern world) will chase the male pigeon screaming "HEY YOU HEARD HER, NO MEANS NO!" and then both birds fly away...

After a brief moment of insanity, you'll all be pleased to know that I've decided NOT to make art based on the 2011 diary kindly delivered by my mum the other day. The romantic drivel of a 16 yo believing they were the only person to ever fall in love will stay between Me and Me.

Trying to negotiate booking a flight with Ryanair [ ] Tick this box for 1x lavatory pass during your flight £3.99 [ ] Tick this box to wear your own shoes on this flight for £12.99 [ ] Tick this box to purchase a Ford Mondeo at your destination £4999.99

Enforce height order at standing gigs. School photo vibes. No one over 6ft in the front 60% of the venue. If your friend isn't within 3 inches of your height that's too bad, you can't stand together.

When I first started teaching, I didn't consider the possibility that one day these people might grow up to be stunning musicians and excellent human beings and, in a way that humbles you to the floor, might even cite you as part of the reason why. holy fuck what a feeling wow

Absolutely brilliant new organ piece by Fraz here and a great performance to watch below by @npmmorris ! Download the score FREE at @ChoirandOrgan and programme, programme, programme!!

I'm leading a workshop of my big score 'Storyteller' as part of @OxMusicFaculty's RETUNE festival on Mon. Commissioned by @CoMA_NewMusic in 2022, this queer piece encourages interactivity, exploring how music also exists in conversations and the spaces between performance.

Truly over the moon with the reception of my new work 'Mimic' performed by the @SolemQuartet yesterday. I spend so much time thinking about performer-audience relationships so I was doubly spoilt to have such commitment from the musicians and such enthusiasm from the audience!