Addy Khan
@addymakes
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Founder of Xperiment Media. Creative Director & Cinematographer https://t.co/5bxlPxdZol. Advancing tech and business in US, Europe, Dubai, Asia. HEC Paris alum. Catholic.
Dubai, UAE š¦šŖ
Joined January 2010
Big news! I talked to Stephen Pizzello. Itās confirmed. His book āGordon Willis on Cinematographyā is coming out later this year or in 2027. Soderbergh read a digital galley proof.
When Gordon Willis died, I was depressed for a full week. A Hollywood Reporter obit mentioned Stephen Pizzello from @AmericanCine was working on a book. That was May 2014. 11 years on, Soderberghās Oct 31 diary entry hints it might finally be out? Must investigateā¦
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Mr. Glass
The smartest man in the room is usually the most fragile and God designed it this way
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@extratv @ReelSchool @THR @nypost @Variety @wonderlandmag The Adventures of Cliff Booth: Super Bowl TeaserĀ Trailer Starring Brad Pitt. Written by Quentin Tarantino. Directed by David Fincher. Coming soon to Netflix. Watch it in good quality... at last! https://t.co/oDe3U0qEFD
thefincheranalyst.com
February 8, 2026Netflix The Adventures of Cliff Booth Starring Brad Pitt. Written by Quentin Tarantino. Directed by David Fincher Coming soon to Netflix
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This thread is all the proof you need for the enduring love of movies. Made by humans for humans, not machines. Vive le cinĆ©ma! šļø
please recommend some movies that feel like therapy, pls pls. movies that make you realize so many things in life. movies that make you cry so hard, that are gut-wrenching yet cleansing, and that gently remind you of your most vulnerable side
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Respect this contrarian position. I've met Mr. Janusz Kaminski, and let's just say he's an...interesting character. Does his own thing, is relentless about lighting. The current YT/Twitter discourse is mainly about lighting, but a cinematographer is also responsible for format,
Never been a fan of cinematographer Janusz KamiÅski - his visuals kind of give me a headache. If I compare modern Spielberg to Nolan and Villeneuve...I don't know, this new trailer gives me the ick.
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@ludoviciochem Great work, Ludo! Crazy that the camera op also jumped with the stuntman! No cable-cam, crane or drone. BOURNE movies are elite. They just donāt make it like āem anymore! BTS footage below š https://t.co/vjINUiYx9D
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Saw PTA's ONE BATTLE AFTER ANOTHER again, at home. 4K UHD, OLED, Atmos. It's not a great film. It's a film with great scenes.
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A burned-out French exec. A disillusioned movie star. One afternoon in NYC. They meet in silence, speak too much, touch almost, and part without meaning. Nothing happens. Everything shifts. No climax. No closure. Just the violence of being seen. (Yes, it ends with a script and
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One of the best performances, ever. No Oscar nom for Jesse Plemons in BUGONIA is the equivalent of Ethan Hawke getting snubbed for FIRST REFORMED in 2019. Ethan secured his place for BLUE MOON and he *may* winā¦but it still hurts.
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Studies show that listening to Suzanne Vega for 30 seconds lowers stress by 30%. In fact, listening to anything from the 90s. 90s. Best decade for anything.
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POINT BLANK could never get made in Hollywood today. Or on Netflix. Fincherās THE KILLER is cool, but lacks that raw John Boorman and Lee Marvin mojo. For me, Anton Corbijnās THE AMERICAN (2003) came the closest. So underrated.
John Boorman on making Point Blank (1967): "This producer, Judd Bernard, gave me the script, then gave it to Lee (Marvin). We met over lunch. Lee said "What do you think of the script." He said "I think it's a piece of shit." (laughs). So he was over in London doing The Dirty
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@now_thats_oscar I've shot on film and digital. Some tips: - Lighting: 4:1 or higher contrast ratio, use hard sources like fresnels for key light - please avoid LED, and don't fill in the shadows unless you plan to "crush" in post - Filtration: use Tiffen diffusion glass filters to create
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prediction 3 demonstrated here, Jim Cameron is kinda crazy for pulling this off. AVATAR 3 performance capture + simulcam and virtual camera human actors, editors and CG artistsā¦NOT ai.
James Cameron and Stephen Rivkin take you behind their editing process from performance capture through the final composition. See how the editing team brought Avatar: Fire and Ash from the stage to an exciting experience. Get tickets: https://t.co/gSGJpeE6Nw
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