
@Gajapati (𑀩𑀺𑀱𑁆𑀡𑀼 𑀫𑁄𑀳𑀦 𑀅𑀥𑀺𑀓𑀸𑀭𑀻)
@VAdkri
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bishnu Mohan Adhikari #polyglot_Art_Architucture_litrature_culture_OdiaEpigraphy_paleography_Researcher
Kalinga
Joined September 2018
Preserving History in Stone- Taking an estampage (ink impression) of a medieval Odia inscription — a timeless method of epigraphy that helps us study every detail of our ancestors’ words carved in stone. #Odisha #Epigraphy #Odia
@CMO_Odisha
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Khallikote Jagannatha mandira This 300 years old temple is one of the finest masterpieces of post mediaeval Kalinga architecture. Maharana-s of Ganjam skillfully replicated the style of Puri temple while bringing a lot of changes in ganjam style . #Khallikote
#Kalinga
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Honoured and deeply grateful to have been acknowledged with the Youth Achiever Award in the field of Epigraphic Contribution (Berhampur) Heartfelt thanks to the Madhumaya Lanigraphi Foundation for hosting the event
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Grateful to have presented a previously unpublished 104-line Srisailam copper plate grant of kapilesvara deva at the "National Seminar on “Ways of Reading Classical Texts”, University of Delhi. Hosted by the Indian Council for Philosophical Research (ICPR).
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@VAdkri All praises for the local youths of Parlakhemundi: This is rare - fostering a sense of ownership and emotional connect by the locals - where the local communities are actively involved in preserving cultural heritage, they demonstrate a sense of pride and responsibility toward
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ଏକ ଯୁଗର ଅବସାନ..... ପଦ୍ମଶ୍ରୀ ଗୁରୁ ଗୋପୀନାଥ ସ୍ୱାଇଁ _ଓଁ ଶାନ୍ତି_
105-year old Guru Gopinatha Swain sings a song of Jasoda 'syāma sundara achi aneka rāti' from the extinct Krusnalila of Harihara, popular in Ganjam. His powerful voice and elaborate raga-filigree sent shivers down my spine. My fortune of fortunes to interview & learn from him. 🙏
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Newly deciphered inscription from Jagyna Barahanatha temple , Jajapur
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Odia Asmita Should Rally at Paralakhemundi. https://t.co/BgghmiQpBQ
@Ganjam_Admin @Ganjam @sp_ganjam @DM_Gajapati @ASIGoI @Culturedeptt @Swabhimani_Odia @CMO_Odisha @PMOIndia @AcharyaPitamba1 @SecyChief @GovernorOdisha @suryavans @DasShaktikanta
medium.com
An Appeal for the Restoration of Parlakhemundi Palace and the Legacy of Maharaja Krushna Chandra Gajapati Narayan Deo
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This is great @VAdkri !! We need to organise more such heritage walks to promote our history!!
Conducted a Heritage tour & Awareness Program at the historic BN Palace. Engaged with participants on its rich cultural significance and highlighted how the monument is deeply associated with the process of state formation. A step towards preserving Heritage #Culture #History
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As a researcher, one is sustained by the hope that amidst an endless pile of manuscripts, a singular, overlooked discovery awaits. This is, by far, the rarest finding my research has yet yielded.
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and disciple of Kṛuṣṇadāsa Baḍajena Mahāpatra, the famed author of the 'Gītaprakāśa'. Consequently, this discovery pushes back Kruṣṇadāsa's date by at least half a century.
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(ଶରଦରାସ ନବରାଗ ପ୍ରବନ୍ଧ / ଧନାଶ୍ରୀ ସୂଡ଼), which I have edited here from a single extant palm leaf manuscript. It is attributed to Gajapati Puruṣottama Deba (1467-72, 76-97) and composed by musician Giri Gadādhara Dāsa, author of the treatise 'Gītaprakāśa Boli' (ଗୀତପ୍ରକାଶ ବୋଲି)
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On complex prabandhas of Odissi music, published in 'Śārṅgadeva Saraṇī', ed. Parwati Dutta. The highlight is one of the earliest Odishan (post-Jayadeva) prabandhas discovered— Śaradarāsa Nabarāga Prabandha / Dhanāśrī Sūḍa from the 1400s, edited here from a single ext manus
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