Pierre L'Fauex π«π·
@LFauexProd
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Critique of Bread and Circuses | Heterosexual, Cisgender Man
Los Angeles
Joined June 2024
This would be a valid criticism for actual food, not a picture of food
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Something Iβd posit to the hopeless aspiring filmmakers. When the film camera was invented, the first to experiment with using it for entertainment were magicians. Not because it was an established & prestigious art form. But because it was cool, and fun.
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No wonder film has been de-centered from the cultural conversation. Why bother, indeed.
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It leads to a heroin-like relationship with art, where they believe its primary function should be like the pills they pop and the beer they drink -- to relieve them from their current misery
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Americans seem to think the biggest goal when watching a film is to forget that they are watching a film in the first place. If that's the case, why bother?
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"Nobody talks like that in real life." Well it isn't real life. It's made up. Real life is outside. If you want that, go there.
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My Pope.
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As in, the friend of the first person to ever make a snow man
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First person to ever make a snowman's friend: "Oh that's pretty neat."
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First time visiting IKEA website and they have a section labelled, "Recommended For You." You don't know anything about me.
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Honestly there's also a good chance Tarantino genuinely did not expect anything he said on a Patreon exclusive episode of Bret Easton Ellis's podcast would get any traction.
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Ah, but you see, thatβs just it. If it could be said in words, it would. Thatβd certainly save a lot of time and money.
@LFauexProd do you mind expanding in what is said by these shots? genuine question I've actually never 2001 and I'm not really a critic
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Tarantino's genius way of applying pressure on himself to make his 10th film good.
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Art has now become the back of a shampoo bottle, to be passively looked at while you take a shit
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Don't see the humor here.
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A consequence of the internet is that everybody thinks they know everything about every subject. Back in the day, if you were stupid, you accepted it, instead of trying to understand the ontology of the moving image
This is why I canβt take cinematography seriously. How is this dude getting glazed for the revolutionary idea of centering the subject in the frame?
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