A romcom should not have a budget of $130M, period. I don't care if this is a hot take or not, that number is absurd.
For perspective, that's $30M more expensive than 1917. That's $35M away from DUNE and $55M away from BLADE RUNNER 2049. I need to know where this money is going.
Scarlett Johansson, Penélope Cruz, Owen Wilson and Michael Fassbender to star in Nancy Meyer’s upcoming romcom for Netflix, which will reportedly have a budget of $130M.
(via
@PuckNews
)
I think the coolest part in a Christopher Nolan movie is when you feel that ending coming. The way his films are edited, they tend to end in such a riveting montage way. You can sense that crescendo immediately, when it’s about to be closing curtain. It’s beautiful every time.
Holy shit. Idk if I’ve ever gotten this many replies.
So far, most popular answers are...
- Coco
- Up
- Grave of the Fireflies
- Dear Zachary
- Schindler’s List
Imagine if Nolan took the writing/editing urgency of The Social Network and fused it with a beautiful but harsh invasion of visuals a la Terrence Malick. The result is OPPENHEIMER. Holy fucking shit, it is a thunderous epic about politics, loss of empathy, and impending doom.
Barbenheimer will remain a milestone in movie history. One became the highest grossing movie of the year, and the other became the Best Picture winner. What an amazing phenomenon that went throughout to the next year.
I'm glad to hear
@NaomiScott
is the best part of
#Aladdin
. I mean, have you seen her in Power Rangers? She was also the MVP in that.
Btw Power Rangers (2017) is good.
Also I’m gonna say this now. I would not be upset if the Academy gives Scorsese his second, as opposed to giving Nolan his first. Putting that out there now.
Blows my mind how we can see a stunt being advertised and promoted everywhere for over a year and it STILL takes your breath away when you finally see it in the movie because now you understand the context of the scene and why he's even doing it.
I'm sorry but calling 1917 "that one shot gimmick war movie" is like calling THE SHAPE OF WATER "that movie where a woman fucks a fish."
Both are *excessive* oversimplifications and dismissals that ignore both films' stories, thematic ideas, performances, and directing talents.
Seeing M:I - Fallout again, you're already in awe at the HALO jump and the bathroom fight, only to remember that later on you have a motorcycle chase, a running sequence, and an entire finale with helicopters. It's absurd how much this movie gives. Yeah, this is the best one.
JOHN WICK: CHAPTER 4 is an absolute banger. Earns every bit of that runtime, with Keanu Reeves once again performing the most insane stunts and Chad Stahelski providing some of the best action filmmaking. The third act and finale had the whole crowd cheering like no other
#SXSW
James Cameron now has not two but THREE of the best sequels ever made. AVATAR: THE WAY OF WATER is incredible. The effects and action is, yes, breathtaking. But it is the story this time that’s the beating heart. It’s more personal, complicated, emotional. Wow, it really soars.
By the end of the movie, I genuinely felt like this. Paralyzed and staring into oblivion, feeling the complete weight and torment of the subject matter.
More popular answers.
- Hachi (Hachiko) A Dog's Tale
- The Green Mile
- Boy in the Striped Pajamas
- "Jurassic Bark" from Futurama
- Brian's Song
- Avengers Endgame
- My Girl
- Titanic
- Bridge to Terabithia
- Miracle in Cell No. 7
- Terms of Endearment
JOY RIDE fucking slaps! Raunchy, nasty, sex-positive, and at its core, sweet and gratifying. And it’s so fucking weird to see Asian people doing all of this. Ashley Park, Sherry Cola, Stephanie Hsu, and Sabrina Wu are DYNAMITE together! I want 10 more movies with them
#SXSW
OPPENHEIMER is so many things. A damning examination of politics and how it strips away empathy and truth. A portrait of a brilliant man wrestling with his own guilt and fear. A cautionary tale of human civilization reaching a point of no return. Christopher Nolan at his best.
@zascmo
Up is, without hesitation, my favorite Pixar film. I cry harder and harder each time I watch it, probably because I get older and thus more understanding of the film's themes. I usually don't lose it in the opening montage - it's the pictures and the wife's message that gets me.
MONKEY MAN is more than just a bloody good time. Dev Patel takes his time with the storytelling, weaving personal tragedy with inner strength, mythology with modern political revolutions. It’s an action tour de force, full of talent and fucking passion in every frame.
#SXSW
We’ve seen films that say “pursue your dreams and passion” countless times. It’s a rare gift to see a film like The Fabelmans acknowledge how that pursuit would inevitably force you to neglect other important things in your life, that it’s a choice you will forever wrestle with.
I'm really moved by all of your answers, especially because many of you opened up with personal reasons why the films affected you. Thank you so much for sharing your stories.
Popular TV show answers.
- Lost (Not Penny's Boat)
- Buffy
- Grey's Anatomy
- Doctor Who ("I don't wanna go")
- Doctor Who (van Gogh)
- Six Feet Under
- The Last Airbender
- Violet Evergarden
- "Jurassic Bark" from Futurama
- Assassination Classroom
- Clannad After Story
There are SO many good films playing right now in theaters. This is literally everything that's playing at my AMC:
- The Banshees of Inisherin
- Black Panther: Wakanda Forever
- Bones and All
- Devotion
- The Fabelmans
- The Inspection
- The Menu
- She Said
- Strange World
- TÁR
@FilmnSports21
Ugh, when the facial scan actually went through. When he reunites with Coco. When the leaves underneath his feet no longer sink. UGH GOD.
It's so funny for me to see how films like After Yang, Turning Red, and Everything Everywhere All At Once feel more authentic (for me) than a film like Crazy Rich Asians, and it's only been 4 years since that came out. Really goes to show how many more stories and voices we need.
#BabylonMovie
is insane, like a deranged lovechild of La La Land and The Wolf of Wall Street, full of awful but talented, endlessly watchable characters. It’s both a celebration and a condemnation. Damien Chazelle is a master of sequences and building each one to a crescendo.
#1917Movie
is not about the war. It’s about what the war leaves behind, how it taints the beautiful green earth. It’s a story about preventing more carnage, more destruction.
It also proves great writing is not always dialogue, but how the characters’ actions are written.