ISLANDS director Jan-Ole Gerster speaks about his long-held desire to work with Sam Riley, tracing it back to Riley’s unforgettable performance as Ian Curtis in CONTROL. The conversation explores how certain performances leave a lasting imprint. https://t.co/PPo0yivScE

ISLANDS director Jan-Ole Gerster reveals an unconventional approach to working with actors telling each of his leads a different version of the story. The method creates subtle tension layered performances & a sense of emotional truth on screen. https://t.co/jxwKLPkMKB

Think everything is streaming? Think again. Film sales agent Gary Rubin explains why many exceptional films never make it to major platforms—and how the quiet decline of TVOD has reshaped what audiences can actually watch. https://t.co/wRnVFP04x1

The Sundance Film Festival is back & with it the headlines about splashy acquisitions & record-setting deals. But beyond the bidding wars, a much bigger story is unfolding. What happens to the films that don’t get picked up? https://t.co/g46pIRSxIH

Oscar-nominated filmmaker Kaouther Ben Hania has written that cinema “doesn’t report, it remembers. It doesn’t argue, it makes you feel.” That philosophy defines THE VOICE OF HIND RAJAB, an Oscar-Nominated work of devastating clarity. @watermelon_pics https://t.co/3uoU7lraxI

Steve Buscemi reflects on why movies still matter in theaters—and why preserving independent films is more urgent than ever. Drawing on decades of experience in American independent cinema, Buscemi makes the case for communal moviegoing. https://t.co/rRu5ewrk3Y

Director of A PRIVATE LIFE, Rebecca Zlotowski reflects on cinema’s enduring pull as a shared act of imagination. She explores how audiences long for alternate realities, dream worlds where the impossible feels within reach. Beautiful and poetic. https://t.co/fXzd72srFJ

A PRIVATE LIFE director Rebecca Zlotowski opens up about the precise, often delicate process of directing Jodie Foster. From the language of communication to rehearsal strategies and the critical choices made between takes. @sonyclassics #APRIVATELIFE https://t.co/Xet7PVd4sE

https://t.co/ZI4EySmrsT FATHER, MOTHER, SISTER, BROTHER and our discussion with our Indie Hero: Jim Jarmusch (and his first EVER podcast!) @mubi

We get into the risk behind casting choices—what happens when actors don’t naturally click, how filmmakers try to sense that early, and why casting is often less about names and more about alchemy. #aprivateLife Sizzles with heat @sonyclassics https://t.co/jPDhLS2Eqq

https://t.co/Y93dCgnIrD In this clip from INSIDE THE ARTHOUSE, we sit down with the director to talk casting. We start with a question we couldn’t stop thinking about: how do you cast Jodie Foster,an American actor, in a role that’s completely French-speaking? @sonyclassics

This week on INSIDE THE ARTHOUSE director Rebecca Zlotowski joins us to talk about how films actually come together The enduring power of cinema — why stepping into another reality still matters, and why audiences feel it so deeply when it’s done right @sonyclassics #APRIVATELIFE

Director Neeraj Ghaywan talks about why casting and crew choices aren’t just creative decisions, they’re ethical ones. For a film like HOMEBOUND, he explains the importance of working with people who truly understand story’s social and political context https://t.co/Pb2wGVYXNT

Jim Jarmusch breaks down why he returns to a three-part structure that lets separate stories speak to each other without ever collapsing into one “main plot.” FATHER MOTHER SISTER BROTHER, Jarmusch connects this to classic literary storytelling @mubi https://t.co/oNgqcHF4GP

We discuss how director approaches emotional truth without manipulation, why certain choices in the film are meant to linger, & how cinema can push us to question our own assumptions not through speeches, but through lived experience on screen #homebound https://t.co/XuJqtaTuIl

Jim Jarmusch breaks down his writing process—and why what you leave out matters most. A masterclass in minimalist dialogue and storytelling restraint. #fatherMothewSisterBrother @mubi https://t.co/CdItjFsbHc

Echoing Akira Kurosawa’s famously humble belief that even great directors are always still mastering the craft. It’s a reminder that directing isn’t about arriving at perfection, but staying open to discovery. @mubi https://t.co/u7ZMitNJM1

This conversation offers essential insight into the real-world forces that inform HOMEBOUND, Oscar-shortlisted film that confronts caste prejudice, social class, & struggle for dignity and opportunity. It’s a powerful reminder that cinema can illuminate. https://t.co/iHxOCiCF1e

Jim Jarmusch shares: FATHER MOTHER SISTER BROTHER & its interconnected stories discusses how he tailors direction to each actor, each tone, and each world—helping performances feel grounded without overstatement. @mubi https://t.co/uMj5LXGEtQ

Father Mother Sister Brother: Jim Jarmusch & The Acting Puzzle https://t.co/NhlOXcYKDG via @YouTube