
Hidden Track - hiddentrack.org.uk on BlueSky
@HiddenTrackTC
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Multi-award-winning interactive theatre company. https://t.co/KVC0jZdKrD Live Shows and Online Games playable at https://t.co/BJRVZUSEqo
Manchester/London
Joined February 2013
Guys, absolutely no word of a lie, theatre bluesky is BEAUTIFUL right now. Come join us, no really do it it's fun and nice and it feels like everyone's on the first day of a new school. (Will Elon let anyone see this tweet. ?). #abandonship #TheatreSky.
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RT @emilyaboudetc: Hello hi! I have some availability in the coming weeks if anyone is in need of an outside eye, a director, a dramaturg o….
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RT @McrIndependents: 📢 ARTIST OPEN CALL. ❓ are you an independent artist/collective living &/or working in #GreaterManchester.❓ do you have….
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RT @agencyofconey: With love and gratitude to our incredible community, we're sharing some important news. After more than fifteen years o….
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RT @lokiscottishrap: Centrists purge class politics from discourse for 30 years then get annoyed by workers and the poor for not knowing wh….
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RT @EquityUK: 🚨 WARNING 🚨. We are aware of a casting call for a major games/voice company coming to the UK in an attempt to undermine our s….
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RT @FreelancersMake: Are you a working class freelancer in the arts? @RTYDS has created some financial resources to help artists from low s….
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RT @newdiorama: One week left to apply for the Untapped award, to help take your show to @edfringe. We want to hear all your brilliant and….
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RT @theatremagazine: "The critical conversation around theatre is at risk of going quiet, just when we need it the most" . The first insta….
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Okay. yeah, looks like we're doing it. You can find us over on #UKTheatre gang, who's migrated already? Come say hello, would be lovely to see you all. We'll pop the kettle on. 🫖 ☕️. #theatre #interactivetheatre #rearrangingthedeckchairsonthetitanic.
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RT @FreelancersMake: Are you a working class freelancer in the arts? @RTYDS has created some financial resources to help artists from low s….
rtyds.co.uk
Navigating Your Finances Freelancing in our industry can be precarious and unpredictable, with a baseline economic model known for its inequality, inaccessibility and squeezed resources. For an...
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RT @TheStage: Arts centre @HOME_mcr will open a free-to-use artists’ development space early next year. Find out more 👇 .
thestage.co.uk
Arts centre HOME will open a free-to-use artists’ development space early next year
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RT @FreelancersMake: Young people from working-class backgrounds are being “blocked” from entering the creative industries, which remain “e….
theguardian.com
Sutton Trust calls for improved access to creative education and industry dominated by upper middle-class
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RT @FreelancersMake: Theatre feels as though it is increasingly threadbare and working within structures that are no longer fit for purpose….
thestage.co.uk
The recent Budget has made it clear that theatre can longer rely on outside help. The only way to fix the sector is to reinvent and restructure it ourselves
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RT @theatremagazine: We're back in less than a week - so sign up now to make sure our first post lands straight in your inbox 🐾 https://t.c….
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RT @RaddingtonB: So excited to part of a lil team bringing back good old Exeunt in a new form - longform theatre criticism! She lives!.
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RT @equity_class: Young working-class people being ‘blocked’ from creative industries, study finds | Class issues | The Guardian https://t.….
theguardian.com
Sutton Trust calls for improved access to creative education and industry dominated by upper middle-class
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RT @carolecadwalla: Please just read the piece. And if you're as panicked as fuck - as you should be - pls sign up to my new newsletter. I….
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RT @carolecadwalla: Please read this. It's literally been 8 years in the writing. The first wave of tech disruption of democracy 2016-202….
theguardian.com
The era that began with the Great Disruptor’s first term is over. Beware the emerging elite
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RT @newdiorama: UNTAPPED IS BACK!.We've teamed up for a 3rd year running w/ @FollowTheCow & @ConcordUKShows to supercharge the ambitions of….
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