Film International
@FilmInt
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The official twitter account for the film magazine Film International.
Global
Joined January 2010
New #FreeAccess blog review! @FilmInt's M. Sorrento on J. Strangeland's 2022 @KentuckyPress book Aline MacMahon: Hollywood, the Blacklist, and the Birth of Method Acting https://t.co/7QRNlFafNA
@filmstudiesff @scmswomen @ConsolePassions @meccsawmsn @ICA_FSD @WFTHN @ClsscHollywood
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Geoffrey O’Brien says his new book, ARABIAN NIGHTS OF 1934 (@mitpress), is “a collage of what was floating through people’s minds as they sat in the dark absorbing all those thousand and one plot twists.” @FilmInt — https://t.co/x31RvEqdeC
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Excellent Lumet-savvy essay on Serpico via @christinalefou for @ParkCircusFilms - H/T esp. to 2nd paragraph (too long to quote - read it!) [Lumet & Pacino would follow this w/Dog Day Afternoon - more via @ProfHendershot/@FilmInt: https://t.co/SNDwSejXkK]
parkcircus.com
Christina Newland explores Serpico ahead of its 50th anniversary re-release
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Ride along with Tom Mix in the rollicking double feature of SKY HIGH and THE BIG DIAMOND ROBBERY, from @LobsterFilms and @UndercrankProd. My review for @FilmInt.
filmint.nu
By Jeremy Carr. Although many Mix pictures are lost, these illustrative entries showcase his customary assurance, his virtue, and his penchant for showmanship.” If Hollywood’s classic Western heroes...
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Wasn't as taken with Talk to Me as others seem to be, but enjoyed it nonetheless. Some words, courtesy of @FilmInt. https://t.co/AXh5MbrhvH
filmint.nu
By Thomas M. Puhr. Talk to Me’s crisp runtime has its perks (there’s not an ounce of fat on this thing), but it also feels oddly truncated.” Like the most effective urban legends, Talk to Me (2022)...
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Film International (@FilmInt ) recently featured an excerpt from the introduction to CHRISTIAN PETZOLD: INTERVIEWS. Read the excerpt here: https://t.co/IUL6QXKzqR
filmint.nu
By Marco Abel, Aylin Bademsoy, and Jaimey Fisher. The following is an excerpt from the Introduction to our volume of interviews with German filmmaker Christian Petzold, entitled Christian Petzold:...
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No one knows early horror like Gary D. Rhodes... Let him introduce you to THE HOUSE OF FEAR (1915) and a very early DR. JEKYLL & MR. HYDE (1913) in his latest at @FilmInt, "Universal's First Horror Movies." #openaccess
https://t.co/SRuW3pGdCm
filmint.nu
By Gary D. Rhodes. Here is an amazing history, one far more enduring than, say, Paramount’s connection to the comedy genre or Warner Bros. to the gangster. The question of precisely when Universal...
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"The question of precisely when Universal horror movies began is equally as fascinating as it is complicated." #filmhistory #horrorfilm #cinematography #UniversalPictures
@FilmInt
https://t.co/bjZVosrKT3
filmint.nu
By Gary D. Rhodes. Here is an amazing history, one far more enduring than, say, Paramount’s connection to the comedy genre or Warner Bros. to the gangster. The question of precisely when Universal...
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In 1924 DW Griffith wrote a magazine article in entitled The Movies 100 Years From Now. One prediction was that “There never will be speaking pictures". Bibi Berki's brilliant piece for @FilmInt explores Griffith's motives for his prophesising. #Silents
https://t.co/zBOzHjSFrT
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A while back I came across a 1924 article by DW Griffith predicting the film industry 100 years from then. Now, in other words. You can read about his bizarre hit-and-miss prognostications here: https://t.co/LYwizt8SmT
@FilmInt #filmwriting #filmhistory #silentmovies
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A film with "relentlessly striking imagery": @FilmInt reviews Risto Jarva's Time of Roses, now on blu-ray from @DeafCrocodile with limited edition slipcover designed by @lucas_peverill 🌹 https://t.co/Jf95vsfSbu
https://t.co/kg0OqNPlkH
filmint.nu
By Jeremy Carr. A seemingly intact image is a big lie”— This assertively obstruse line comes at the beginning of Time of Roses (Ruusujen Aika), which is itself, particularly at the beginning, a...
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A far-out Finnish film about the vagaries of the past, the present, the future, and the all-important image. For @FilmInt, my review of Risto Jarva’s TIME OF ROSES.
filmint.nu
By Jeremy Carr. A seemingly intact image is a big lie”— This assertively obstruse line comes at the beginning of Time of Roses (Ruusujen Aika), which is itself, particularly at the beginning, a...
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I’ve been fortunate enough to have book reviews I’ve written featured in this, but I never thought a review of MY OWN book (a positive one, I might add) would be included. Thank you @CriterionDaily and @FilmInt!
Books! Bazin, Pasolini, Fassbinder, Mia Farrow, Joyce Chopra, Tom Hanks, Sydney Pollack … https://t.co/ZDWQLa1GfP
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"A fascinating study that examines themes mostly, but not exclusively, central to feminist visual representations, without losing sight of the paradoxes that shade contemporary approaches to Polanski’s work in the light of the #meToo movement."
filmint.nu
A Book Review by Dávid Szőke. A fascinating study that examines themes mostly, but not exclusively, central to feminist visual representations, without losing sight of the paradoxes that shade...
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So excited to have chatted with @suspirialex about Tramps! For @FilmInt - we cover some behind the scenes stuff like how - gasp - women were involved in the New Romantic scene! Thank you so much Alexandra!
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New interview with Kevin Hegge, director of new documentary ‘Tramps!’ from @suspirialex
filmint.nu
By Alexandra Heller-Nicholas. I’ve always found it really irritating how people have this default setting to complain about younger generations, when it’s young people who cultivate change and move...
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Isn't our cover for @FilmInt @IntellectBooks gorgeous? Check out my int w/ Ann Hui abt Love After Love. #WorldLit #EileenChang
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Thx so much, @culturalamnesia, for sharing this! It's nice to see @FilmInt @IntellectBooks in the flesh. #WorldLit
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