We've wrapped up another year of Motion Design Hotline. Since March this year @KylasaurusRex and I have been doing our motion design advice show over on #adobelive, and they're keeping us going into January! But we need your help... 1/6

For our 100th episode of Motion Design Hotline we want to turn it over to community for a bit. If you have a tip, trick, or hack you think people simply must know share it below along with how you wish to be credited and we'll shout it out on the show!

This week on the Motion Design Hotline it’s our Holiday special! In the true spirit of the holiday we’re throwing down with Choose your Fighter: Festive Edition. Tune in at 10 PT on @AdobeLive_ right here: https://t.co/uftRmsNXxT

"Art Meets Intrigue" Prologue – Kyle Cooper | ‘Feud: Truman Capote vs The Swans’ Opening Credits Prologue delivers an iconic opening sequence for Feud: Truman Capote vs The Swans, blending Paul Rand’s bold modernism with Saul Bass’s classic cut-out style. The spiraling

This week @KylasaurusRex and I are getting into some FUI concepts on the hotline. We're in an era of santa depictions where he's either steampunk or jet-aged, but what if it was more... Weyland-Yutani insoired? See you today at 12:ET! https://t.co/48A3ZGknL0

Breakdown 🛠: Building a Shot by Piecing Together Historical Archives * Check out the case study on our website to see the process behind designing and conceptualizing the title sequence for Agatha All Along. 🔗 https://t.co/f5zcrIfHrQ #titlesequence #marvel #behindthescenes

Pokémon x Aardman Coming in 2027!

Today @KylasaurusRex and I are thankful for everyone asking us for more collage-style tips. I'll be mushing together photos using effects to reshape and remix assets. Like how we make leftovers into a sandwich... that's on theme, right? 12ET right here: https://t.co/8NHiOd0Hpb

I will say that currently blue sky has much more real human interaction for People are sharing cool stuff and having conversations as peers instead of just get points in edgewise over top of each other. It’s actually a chill hang on the feeds there currently.

If you’re moving away from this app but still want to keep up with what I’m doing I’m ECAbrams everywhere else too. And my human name is Evan Abrams over on LinkedIn if you want to keep it professional. See you around the internet!

Today on the Motion Design Hotline we finally see what's going on inside the mind of @KylasaurusRex. Join us on @AdobeLive_ at 9PT/12ET on their YouTube channel right here: https://t.co/V2NdR8QKwT to get into getting into things in After Effects.

This week on the Motion Design Hotline @KylasaurusRex and I are looking inward for some mind-expanding or at least head-opening techniques. Tune into @AdobeLive_ on youtube at https://t.co/V2NdR8QKwT 12:00 ET tomorrow, November 13th to get into it!

We're having a party on the Motion Design Hotline and you're invited! @KylasaurusRex and I will be animating this poster from Isabel Jordan (@ belasw0rld in IG) as part of the @AdobeLive_ Next Gen Takeover! Tune in at 9 PT same bat time, same bat channel: https://t.co/a1jVstobHc

I got my first review! Thanks Ivanjosue51 for your kind words. I hope it's the first of many. if YOU want to take my 100% rated @domestika course use this link and start your journey into After Effects on the right foot! https://t.co/GKFYqSi48X

It's #spoopy season on the Motion Design Hotline and today @KylasaurusRex and I are talking titles. I'm getting into grindhouse-style graphics today with tricks to fake tracking troubles. Tune in at 9:00 PT to start your day off with on @AdobeLive_ https://t.co/BiU2wJG0X6

When people ask me for life or career advice, I must resist the urge to say “fuck if I know”

Happy Booleoween!

Oh, and you better believe I'm putting on the accessibility toggle. If you do screencasts and tutorials, go ahead and put that little buddy on, super size your cursor, and get your expression font a few pts larger before you hit record. It's the curb cuts of interfaces folks.

Looked at the appearance modes in After Effects out of curiosity. Put it to light as a joke. Feeling like Sam Neil in Event Horizon now. I can't believe I used to work like that all the time. One of my many poor choices from in the early 2010s

I'm excited to post a new lineup of assets called Glass Shatter: Liquid. There are 8 available now on https://t.co/gLNyRkhs73 Join up and get early access to tons of assets we're launching! These will hit The Pixel Lab in the coming weeks. Enjoy! #vfx #motiongraphics

Here’s a timelapse of ‘1000 Marks’ by @pentagram 😅 https://t.co/9m0QByArO1