“Ackermann is after something different, an intellectual tantrism that lingers in the mind, rather than just the body.”. In his first collection for Tom Ford, one writer speculates if Haider Ackermann can live up to the brand's signature sensuality:.

For Kinlaw, feedback is chaos. Here, the Brooklyn-based artist contemplates energy and momentum in her newest album, 'Gut Ccheck'—out March 21:.

For Document's fashion critic Katharine K. Zarrella, the thrills were few and far between at NYFW 2025. The handful of brands standing out for their authenticity and boldness will have to do, for now:.

In DOOM: House of Hope, her largest work to date, Germany's enfant terrible Anne Imhof creates an American high school hellscape that both frustrates and rewards.

As governments battle to legislate gender identity, Milan's designers responded with their own definitions of femininity: volume at Prada, twisted tradition at Diesel, and Armani's half-century of greige gender neutrality. Read Best in Show: Fall 2025:.

1 month post-Valentine's day, we revisit @KeroseneJones's pilgrimage through NYC's occult performances—including @M_Lamar's 'Machines and Other Intergalactic Technologies of the Spirit'—and a rain-soaked Chelsea Hotel orgy.

In a surprise announcement by parent company Kering Group, Demna has been named as Artistic Director of Gucci.

For Fall/Winter 2025, British designers aren’t fading—they’re fighting. Document rounds up the top new collections shown last week in London:.

At the North American premiere of Florentina Holzinger's 'TANZ' @nyuskirball, the Austrian performance artist and choreographer invites audiences to a bacchanalian circus en pointe–with trust at its core.

Mexico-based artist and choreographer @dievegasolorza rendered his hour-long performance as an work on display at Art Basel Miami Beach. Movement ephemera enters the market in ‘BASOTEVE’:.

During a visit to New York’s multibrand concept store ESSX, we sat down with next-gen creative director of Ann Demeulemeester, Stefano Gallici, to share his thoughts on the city and its cultural icons.

Musician @trevorpowersss aka @youthlagoon sits down with Document to discuss how the full spectrum of human emotion might emerge on a record upon the release of his fifth studio album. Listen to 'Rarely Do I Dream'—out now.

On view at Management Gallery until February 23, Tim Brawner’s latest solo show, ‘The Last Caress,' presents a not-so-far-off future obsessed with spectacle, where nostalgic glamor and necrosis entwine.

In a limited edition cover story for our Fall/Winter 2024–25 issue featuring @solangeknowles, Knowles is joined by artist Wangechi Mutu and MoMA curator Thomas Lax to discuss water as history, material play, surrender, and the force of the imagination:

Copenhagen Fashion Week Autumn/Winter 2025 cements the Danish city’s status as a launchpad for emerging designers, blending sustainability and collaboration for a truly impactful season.

During Couture Week Spring 2025, fashion critic @ladyKKZ reconsiders the role of the time-honored craft as ready-to-wear prices skyrocket. Read the Critic's Notebook:.

In her monthly column, amateur business analyst Maya Kotomori (@1000xp_) explores the ongoing litigation between two beigefluencers through a modern history of advertising. Read this January's installment of 'The Shoptimist:'.

Matthew Gasda’s 'Vanya on Huron,' an adaptation of Anton Chekhov’s classic in a new translation by Albina Aleksandrova, highlights the timeless affliction of human desire.

Curator and @GavlakGallery founder Sarah Gavlak's New Wave Art Weeknd in Palm Beach unites collectors, artists, and innovators with its equity-focused programming.

For the premiere of Concrete Husband's video for the title track off his latest album, 'Piel,' the Brooklyn-based musician and Eartheater meet to discuss sonic vulnerability and ferocity. Watch the full music video and read the complete conversation here:.