
Bryan Holt
@BryanNHolt
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VFX Artist // Filmmaker // Creative
California, USA
Joined August 2016
š„I made this place for you! š„. Want to start learning VFX? .ā¬ā¬ā¬. Join the Discord: Subscribe to the Channel: The Website:
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Can I also add, you never really figure out how to actually deal with this. (At least I haven't). I think you learn to decipher what criticism is worth it and what isn't. What I can tell you is you NEED to develop quality coaches in your lives. Coaches > Critics.
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Pretty crazy story but this isnāt uncommon. If you are trying to get into or maybe back into the industry this is definitely worth a read.
Personality and attitude are one of the biggest factors when it comes to hiring artists. I would rather hire a young artist with great attitude than an experienced senior who acts like he knows more than everyone else (even if he might). This is a story about the latter. 1/8.
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This. As always fire advice.
Houdini Quick Tip #23: .Don't Gatekeep knowledge! .This is a more general tip, but it's so incredibly valuable to share knowledge, lift others up and improve together!.It's a small bubble - be nice to others :) .I go a lot more in depth about it here: .
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This right here is the problem. (The post not what he said.) . Also the comments and takes in this one are š¤£. Meanwhile, there are half a dozen VFX houses contributing to this production lol!.
Guillermo del Toro refused to make āFRANKENSTEINā with too much digital effects & green screens. āI want real sets. I donāt want digital. I donāt want AI. I donāt want simulation. I want old-fashioned craftsmanship. I want people painting, building, hammering, plasteringā
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It's just not possible. Try to do anything remotely heavy and you run into issues in every nook and corner. Moving on from AE as my main package was one of the better career decisions I have made.
We got a few comments on this video from unicorns who say they've never had issues with AE. I just can't believe anyone that says that. If you can say that, I think you're barely using it. š.
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RT @beforesmag: New previews of my āIndustrial Light & Magic: 50 Years of Innovationā book are here!. Pre-order the book here from Amazon,ā¦.
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I am all for transmedia and stretching your IP into new markets but you donāt change the source material. The Halo original canon is incredibly dense and good. You had libraries of narratives you could have told instead we got crap that broke halos rules. What could have been.
Still crazy that a trailer from over 15 years ago has more love and respect for an IP than two seasons of a two hundred-million-dollar show made for Paramount did.
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RT @benharkervfx: Yo vfx fam! š. I have some availability opening up as we head into the last stretches of summer; If you have any projectsā¦.
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