Water! Facial animation! Real vs CG! Here's a THREAD 🧵 on
@WetaFXofficial
's incredible VFX for
@officialavatar
#thewayofwater
, based on the
@beforesmag
coverage. First...this insane shot featured in the trailers...VFX supe Eric Saindon confirmed how it was done...
This 'Zone of Interest' VFX reel really is super-cool, in terms of showing camera gear/audio equipment paint-outs, which were so crucial to telling the story of the film
@oneofusvfx
‘I’m very passionate about cobblestones now’ --> Behind the massive environment & vehicle build & complex compositing work by
@FXRodeo
for the Arc de Triomphe roundabout scene in ‘John Wick 4’. Amazing breakdown pics and video included at
@beforesmag
Wow,
@trixterfilm
has definitely got to work on some of the cutest animation in the MCU by far, right? (Don't fight me). Check out how they made Morris for
#shangchi
WAIT.
Just heard Steven Spielberg talk about how George Lucas took on oversight of post production (sound mix & color grade) of Jurassic Park at Spielberg's request, when Spielberg moved onto Schindler's List. Obviously, ILM was also doing the VFX.
I'd never heard this before!
A thread on the making of
@MitchellsMovie
. Director
@michaelrianda
told me: "I always looked at the art of books and would think, ‘Why didn't they make that movie look like this?’ So, we were trying to say, ‘Okay, what if it looked exactly like this?’
The way
@imageworksvfx
handled the animation of these bots with 'unstable geometry' on
@MitchellsMovie
is insane --> you can find out how they did it in this interview with anim supe Alan Hawkins (I would love to know more about the rigs/Maya/Houdini work)
It's not live-action and it's not motion capture, so what is it?Behind the visuals in Alberto Mielgo's The Witness, from
@netflix
's Love Death & Robots. An interview with the director.
Happy 20th anniversary to
@DisneyAnimation
's 'Treasure Planet'. I always loved the CGI/hand-drawn anim test done by replacing Captain Hook's hand from 'Peter Pan' (from the archives) with a CG hook, to check if the combo of techniques would work. Really fun to watch.
Happy 20th anniversary to
@RealGDT
's 'Hellboy' this week! I always loved the B.P.R.D. elevator miniature/model work, and the puppets that were part of that, crafted by Fantasy II Film Effects. Just so good!
I added
@Framestore
's new
#loki
s2 breakdowns for timeslipping, spaghettification and time strands to the in-depth
@beforesmag
coverage with VFX supe Matthew Twyford
That Academy video showcasing the 5 VFX Oscar nominees also includes a neat look at
@WetaFXofficial
's Avatar 2 facial animation work. Watch it all here at
@beforesmag
Did you watch 'The Mitchells vs. The Machines' over the weekend? To find out how it was made, there's 4 interviews with members of the creative team at befores & afters, like this piece with
@imageworksvfx
VFX supe
@mlasker
. Start here and read on!
So excited to share this new VFX Futures podcast ep at
#beforesandafters
with
@Pixar
VFX supe Danielle Feinberg on new tech in
#TurningRed
. Really fun to hear about new profile movers rigging/anim approach that helped with the very expressive characters
OMG, Part 2 of the
@RRRMovie
VFX Notes podcast is here! Watch
@HugoCGuerra
&
@beforesmag
break down the biggest scenes, from throwing of jaguars to punching tigers, prison breaks and that final amazing forest fight! Amazing work by
@srinivas_mohan
& team
I'm thrilled to launch my own VFX publication: befores & afters!
Head there right now for stories on
@ILMVFX
's Dennis Muren, an oral history of Guinness Surfer, diversity in VFX, &
#IntoTheSpiderVerse
Lots more to come - I'm just getting started!
OK peeps, this is a 6,000 word article at befores & afters that looks in-depth at the background to
@ILMVFX
's amazing miniatures made for The Mandalorian - both the Razor Crest and the Light Cruiser. Enjoy!
How Davy Jones helped launch
@ILMVFX
's on-set performance capture system IMocap: here's my deep dive on the tech from Pirates 2 & 3, right up to today.
With Terminator: Dark Fate just around the corner, I'm republishing my vfxblog oral history on the Tech of Terminator 2. Lots of
@ILMVFX
-ers weigh on everything from Everything from Make Sticky to Body Sock and painting a grid onto Robert Patrick
There's more in the article at
@beforesmag
also about the actual on-set performance capture, about the eyeline system, and the real-time depth compositing. Check it all out here:
John Knoll from
@ILMVFX
has very generously commented on the shownotes explaining his chrome/gray ball solution on 'First Contact', which continued on other ILM shows, incl the prequels. Read part of the comment here & entire amazing details in the notes:
In the story, Joe Letteri discusses water and the studio's use of Loki, their unified multiphysics simulation framework for production, to help here. The video here is from a SIGGRAPH paper.
There's some fantastic behind the scenes artwork here at
#beforesandafters
' coverage of
@mexopolis
' 'Maya and the Three', which is now on Netflix and is so great!
I love love love this piece of invisible effects for Terminator: Dark Fate by Wylie Co. (Maybe peeps in VFX are not surprised by the glasses work at all, but it's still so cool to see).
A look at 3 effects techniques used in
@RealGDT
's amazing The Shape of Water - practical creature suit work by
@LegacyEffects
, digital augmentation of the suit and creature CGI by
@MR_X_INC
, and dry for wet shooting. Check out my write-up at
@cartoonbrew
The reason del Toro didn't direct Pacific Rim 2 is...insane.
You'd probably think this was made up if you couldn't then actually watch video of him saying it.
Go DEEP into
@WetaFXofficial
's VFX for
@JimCameron
's
#thewayofwater
with
@beforesmag
:
- Wētā's new Anatomically Plausible Facial System
- Loki solvers for water sims
- Real-time on-set depth compositing
- The big reveal on *THAT* scene: was it real or CG?
Last week I asked about memorable in-cinema experiences. What about most memorable cinema TRAILER experiences? Mine has to be teaser for LOTR, a full year b4 the films! Can still hear Cate Blanchett: 'Even the smallest person can change the course of the future.' What's yours?
New Grease Pencil functionalities in
@Blender
- this is an excerpt of the longer video: I've always loved the 'magic' behind Grease Pencil stuff. Could watch stuff done with it for days.
The water droplets on kids fighting on beach in
#TheWayofWater
took 8 days to simulate -> Covering the characters with photoreal drips via a thin film solver just one of the water sim challenges for
@WetaFXofficial
&
@weta_digital
. In-depth at
@beforesmag
:
How
@ILMVFX
kept much of the Krayt dragon hidden in s2 of
#TheMandalorian
- plus, a special celebration of banthas, both practical and digital. I asked
@halhickel
and Jeff Capogreco about the work
"This new system uses muscle strains rather than just surface faces. We essentially measured the muscle strains from the actor’s face by reconstructing their faces, which could then be applied to the characters."
Here's a fun
@beforesmag
THREAD 🧵 about the tests
@ILMVFX
did with its MORF tool to add motion blur to the
@PhilTippett
stop-mo dinosaurs for
#JurassicPark
--> of course, at one point Spielberg saw ILM's CG tests & full motion dinos became CG, but here's what nearly happened...
Re-creating the hypersleep chamber, in miniature, from ‘Alien’ --> The
@NFTSFilmTV
's Model Making and VFX students combine to re-create this iconic movie scene. Explore the work with a ton of bts pictures and video at
@beforesmag
Whoa,
@HybrideTechno
’s asset build for Ferrix in 'Andor' reached more than 30,000 items --> this new
@beforesmag
#vfxinsight
piece discusses their use of
@Isotropix
Clarisse for the build and more. Fun chat with env supe David Roberge
Random from me: so, I have to say that
@ILMVFX
's work on Jurassic Park definitely SPARKED my interest in VFX in '93, but this particular piece of making-of Softimage footage from Dragonheart made me OBSESSED with VFX behind the scenes. I'm *still* obsessed with this footage.
'Stealth' has the most memorable movie missile launch shot. Ever.
Here's how
@DigitalDomainDD
made it, including its very last-minute changes.
#retrovfx