Today I'm excited to release my original score for Celina Liesegang and Arturo Bandinelli's experimental short film Viscera. Set in an abandoned hotel on an island in the middle of the Atlantic, Viscera is a dance film exploring the relationship between time, memory and trauma.

Viscera is also now streaming on all digital platforms, and I invite you to join me tonight for a listening party on Bandcamp to celebrate this release. All links here:.. #BandcampFriday.

2️⃣ a new release platform for creative work called.@metalabel_:. I've been a fan of (and early participant in) what ML's building & am delighted finally to share my first drop on the platform.

Viscera is streaming now on digital platforms. There are two places you can buy the music and the photographic prints:. 1️⃣@Bandcamp:.

The EP is part of the 2nd season of releases via multidisciplinary label @ZylaWorks. It's accompanied by a specially commissioned series of photographs by @MoalNft, which are available as A3 prints and include a download of the music—my first physical release in about a decade!

Viscera has won awards at festivals around the world, including "Best Sound & Music" at Los Angeles' Experimental Film & Music Video Festival and "Best Dance Film" at Dreamers Of Dreams / @NRFFest in London.

My debut film score builds on my experiences recording guitar on soundtracks for TV shows such as.@blackmirror (composed by @JonOpstad) and #SilentWitness (by @SheridanTongue).

Not really using this platform any more but wanted to make a brief reappearance to announce that I'm currently sending out promo copies of my upcoming release. It's my debut film score and is coming out on @ZylaWorks. If you're a journalist & would like an advance copy, DM me.

Let's connect here:.

14 years on this app & I think I'm finally done. Thing is, with the parallel demise of pretty much all other social media platforms, I feel digitally homeless. The only one I haven't yet tried (except TikTok, but that ain't happening) is bsky, where I've just signed up. 🔗⬇️.

The quote above is from @tedgioia's response to @lizpelly's report on "Spotify's plot against musicians":.

"Our single best hope is a cooperative streaming platform owned by labels and musicians. Let’s reclaim music from the technocrats. They have not proven themselves worthy of our trust.". @tedgioia, have you heard about @subvertworld yet?.

This Thursday at the Museum of Contemporary Art in #Krakow (@MOCAK_Krakow) we present @KatarzynaWitek's latest dance, for which I had the pleasure (and challenge) of reworking the music of J.S. Bach.

RT @SPRSGL: It's the first #BandcampFriday since Spectres came out. This album is the culmination of an epic creative process. Grateful to….

RT @new_on_nina: Cut The Sky - Esz Kodesz

To celebrate, I've just uploaded Esz Kodesz to @ninaprotocol. This is part of my efforts to find a more future-proof home for my music. (I'm still releasing on Bandcamp, but after its corporate takeover it could become enshittified at any moment.).

Happy birthday to Esz Kodesz, 1 year old today!

This new album from Peter Evans (with Petter Eldh &.Jim Black!) is seriously heavy 🔥.@wejazzhelsinki.

Recorded this on my phone a few days after moving from 🏴󠁧󠁢󠁥󠁮󠁧󠁿to 🇵🇱. My future wife & I were staying with her brother, who had an upright piano in his flat. You can hear my wife in the background (appropriately, given the archetype the track is named after).

Spectres hits Spotify etc at midnight tonight. You can pre-save it here: . Thank you for listening.