An expanded edition of Jasper Morrison’s “A Book of Things,” republished 10 years after its initial release, falls short of moving on from heroic Modernist minimalism, writes George Kafka (@g_kafka).

Sites of craft education train and shape the makers we admire—and everyday people, too, writes curator Michelle Millar Fisher.

“People are not going to see the things you care about the way you see them,” landscape designer Walter Hood (@HDHoodDesign) of Hood Design Studio (@wjHoodDesign) says. Read the latest interview from our new column, “The House I Grew Up In,” now.

“There was an ease of being able to get there on your own: Get there, leave when you want,” says artist Eva Lewitt of her father, Sol LeWitt’s, studio in Italy. Read the rest of the interview in our new column, “The House I Grew Up In,” now.

“If it’s true that we share a collective unconsciousness where design tropes are concerned, it might be fair to say that [@formafantasma] wants to interpret the symbols in our dreams,” writes Sarah Archer.

“I had a conversation with a friend about this the other day,” says designer Mark Grattan. “It’s so easy to buy a $3,000 coat. But nobody wants to buy a $3,000 sofa.” Read the interview in our new column, “The House I Grew Up In,” now.

“The house’s scale taught me many lessons,” says Loren Daye, founder of the interior design firm LOVEISENOUGH, of her childhood home. Read the interview in our new column, “The House I Grew Up In,” now.

“Every day, I observed the design and redesign of my surroundings—an act that ultimately impacted who I would become,” @jarrettfuller writes of his experience living full-time at a summer camp as a kid.

“The impression was convention, and my increasing awareness of it,” says architect James Wines, founder and president of the architecture studio SITE, of his childhood home. Read the story from our new column, “The House I Grew Up In,” now.

For designers, pursuing something better is more important now than ever, writes Pete Oyler.

Part of our new website is a microsite for Making Space, a live, themed symposium exploring the nuances of home. The 2025–2026 theme is “The House I Grew Up In.” Follow along to read stories from leading minds, with new pieces published every other week.

We loved the index-like design of our original website—but we’ve outgrown it. So we’ve been working to create a new framework for our content. Live today, the distilled design makes our stories, and the ideas they unpack, easier to identify and explore.

Writer @DianaBudds examines the state of design and its intersection with the science of human experience.

The allure of Midcentury Modern objects isn’t just about craftsmanship, writes @AnjulieRao.

When we design with the land and the myriad stewards that call it home in mind, we open the door to building with things that often go unseen, writes LinYee Yuan.

Los Angeles designers @petershire and Ryan Preciado, who once worked together, reflect on the past and future of their practices in a conversation with Jonathan Griffin (@griffinjonathan).

Terra-cotta’s revival has subtle lessons for an era in which attractiveness is the subject of some rather blunt debates, writes @kristoncapps.

Ignoring the act of entrance is a missed opportunity for designers, writes @edwinheathcote.

It’s time for real estate listings to take on a different vibe, writes FOR SCALE.

How a municipality thinks about public skate architecture reveals a lot about its connection to its citizens, and its likely future, writes Zach Moldof.