Somebody/Nobody
@tiredie
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the base is shattered, is it? what on earth else and by whom? by the base buried.
île flottant
Joined June 2013
菫色鉱物といえば筆頭は紫水晶。高貴な印象からか古代より王冠に用いられる宝石の一つであり、磔にされたキリストの犠牲や信心深さの象徴として司祭が必ず身につける指輪の石。 そんな紫水晶で忘れられない驚愕標本がロジェ・カイヨワcollection #2月になったのでアメシスト見せてください #鉱物Bar
おはよう朝の石 紫の山に赤い花弁の雪が降る レピドロクロサイトインアメシスト Brandberg,Erongo,Namibia産 ２月はじまりの水晶展 💎日本初の鉱物＆鉱物菓子カフェ #鉱物Bar 今週2/12木曜14時〜OPEN
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Who is the thirstiest poster of all?
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Ten of Spades: Cat Playing Violin (Animal) Card. Culture: German (French suit system), approx. 1610–1650. Technique: Engraving on paper, hand-painted. The visual is available online in The World of Playing Cards archive.*** This is an illustrated playing card from the 17th
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Amethyst intaglio of Fortuna-Tyche, Roman, 1st-2nd century AD, from Bertolami Fine Arts
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The Guthrie Affair is a stopgap for the $hitcoincrash. Keep hype alive.
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We all need to appreciate old folklore that is still alive, like the costumes from Sadovik in Bulgaria
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Pudet = Face Palm. From John Bulwer's Chirologia, or The Naturall Language of the Hand (1644), the English physician's attempt to record the vocabulary contained in hand gestures and bodily motions. ⠀ More here: https://t.co/EwbfZRNEqh
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All to say how glad I watched a good film for the first time in so many years!
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chasing "exclusivity". What mostly remains elusive (but not entirely) are his experiments with film students. Impossible to sum up how much he abandoned auteurism or how far he exceeded it.
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This obsession constantly took surprising turns, relentlessly expanding my knowledge and imagination. He is the one artist who definitively changed my life both gor good and for ill. There will never be anyone like him again in cinema as such but he was neither a snob nor
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I also went to weird commercial screenings of his newer releases when possible. These were always already basically vacant theaters, long before that became commonplace.
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It was only when but torrent took off that I finally got into a position to get at the depths of his filmography, commissioning people to rip rare VHS's and go grab cinameteque streams on laptops at INA years before their commercial release.
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His ferociously humorous and experimental wit engaged me from my first encounter with a deteriorated VHS of On Top of the Whale. It was the cinema of my dreams and I scrounged for decades to get more glimpses at his brilliance.
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By chance, I was a runner-up for a post-doc at Aberdeen in the same year when Ruiz started a short term professorship there. I only learned a few years later of this near miss.
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Branco released my pirate subtitles for the DVD re-issue of La ville des pirates (1984)— my first ever effort at either subtile timing or Fr-Engl translation, refined to some extent by a French collaborator, but still very awkward. It thrilled me: the purest aidacity of pirates!
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I have honestly been in profound mourning since the death of Raúl Ruiz. I had not caught up before tonight with Sarmiento's re-edit of The Wandering Soap Opera. It is simply fantastic.
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Hell (1983, 17min) Streaming for Family Members on https://t.co/3XtEo71z5V & Apps in North America. https://t.co/SRP2d9xdSH Directed by Rein Raamat & Presented with the Estonian Film Institute. A short film based on three graphic prints, “Cabaret”, “Norrator” and “Hell”, by
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Pigmalion (1967, 10min) Streaming for Family Members on https://t.co/3XtEo71z5V & Apps in North America. https://t.co/SgEWVYghwI Directed by Arnold Burovs. An animated satire on the “incomprehensibility” of abstract art. Presented with the Latvian State Archive & Authors
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