Tom Page
@thomas_page
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Staff Writer @CNN. Eyes on cinema. Retweets ≠ endorsements. ✉️ [email protected]
London
Joined May 2011
On the delights of watching Oasis in the year 2025.
cnn.com
Tears and beers flowed at Wembley Stadium in London on Wednesday night, where the rock group’s epic reunion felt bigger than the band itself.
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Every new soundbite from Denzel Washington’s HIGHEST 2 LOWEST press tour only furthers my point.
“I don’t need to be known, you know? I like being quiet.”. I interviewed Denzel.
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“I don’t need to be known, you know? I like being quiet.”. I interviewed Denzel.
cnn.com
Denzel Washington and Jeffrey Wright discuss their new Spike Lee project, ‘Highest 2 Lowest’
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Watching WEAPONS: Hell no, absolutely not, f—k this, get me out of here. Next day: Great movie, would 100% recommend.
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Late to the MATERIALISTS discourse, but it's my firm conviction that these two could've fixed all three of those characters.
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RT @thomas_page: I followed My Father's Shadow to Cannes, where the film planted a flag for Nigerian cinema. More to come, but here's a lin….
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I followed My Father's Shadow to Cannes, where the film planted a flag for Nigerian cinema. More to come, but here's a link to our show, ft. interviews with star Ṣọpẹ́ Dìrísù, director and co-writer Akinola Davies Jr., and producer Funmbi Ogunbanwo.
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RT @thomas_page: A couple of weeks ago I called Wes Anderson for a chat about menswear in his films and in his life. A dream assignment. ht….
cnn.com
With menswear and tailoring at the heart of “The Phoenician Scheme,” the acclaimed film director unpacks his personal relationship with clothes and how they show up in his work.
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A couple of weeks ago I called Wes Anderson for a chat about menswear in his films and in his life. A dream assignment.
cnn.com
With menswear and tailoring at the heart of “The Phoenician Scheme,” the acclaimed film director unpacks his personal relationship with clothes and how they show up in his work.
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RT @thomas_page: A sensational result for Jafar Panahi, who wins the Palme d'Or. Here's my dispatch from the festival: the drama, the deals….
cnn.com
The Iranian director walked away with top honors on Saturday, concluding a festival spiked with discord and littered with gems.
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The essay above contains thoughts on SIRAT, ALPHA, EDDINGTON, DIE MY LOVE, THE CHRONOLOGY OF WATER and MY FATHER'S SHADOW and others. It was a pleasure and a privilege to write about them all. I'm looking forward to defending ALPHA from the haters for many months to come.
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A sensational result for Jafar Panahi, who wins the Palme d'Or. Here's my dispatch from the festival: the drama, the deals, the highlights, and notes on the maddening, addictive job of covering the thing.
cnn.com
The Iranian director walked away with top honors on Saturday, concluding a festival spiked with discord and littered with gems.
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Team ALPHA over here. A shattering cinematic experience. The genre trappings and allegory are Ducournau’s mode not motive: this is a story about familial love and grief and the gnawing terror of loss — and my god, Golshifteh Farahani and Tahar Rahim are sensational.
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About last night. Spike brings Denzel — and the zoot suit — back to Cannes. A shame the acting great couldn’t stick around. #Highest2Lowest .
cnn.com
Spike Lee and Denzel Washington have walked a long road together. The director and actor’s collaboration has run for 35 years, starting with “Mo’Better Blues” and including the seminal “Malcolm X.”...
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Oh, I can finally talk about MY FATHER’S SHADOW. Beautiful beautiful beautiful. The lyricism of Akinola Davies Jr’s storytelling and the way he presents Lagos on the big screen is thrilling. Dirisu is heartbreaking. A game changer for Nigerian cinema.
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Adored DIE MY LOVE. Jennifer Lawrence and Lynne Ramsay was a dream collab on paper, and their commitment to this story of postpartum depression –frenzied, abrasive, often gut-wrenching – is astonishing. Arguably the actor's best work to date.
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Today’s EDDINGTON press conference was lively.
cnn.com
At a press conference for Ari Aster’s divisive film, the director and addressed a divided US and the “dangerous road” being walked by the nation.
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“Let’s rip off the band aid and watch this f—ing movie.” . Now that’s how you intro a film. Kristen Stewart has leveraged every bit of clout to make THE CHRONOLOGY OF WATER. The results are uncompromising and stingingly raw. Her image making is beautiful. It won’t be her last.
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EDDINGTON rips. Small town America painted as a Bosch hellscape of grievances and identity politics, fuelled by the dissolution of truth. Incredibly ambitious — even more so than BEAU — and ripe for misreading. I hope Ari Aster is braced for the storm ahead.
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