I don’t care anything about Farage and his horsey barbourness, but long for the extinction of this Labour Party and its evil Starmer, oh and you can take the proper toff aspirants with them whilst they’re at it!

'Manifold / Colin Sackett, publishing 1984–2024' Details and illustrates the ideas and methods that contributed to over a hundred and fifty individual projects, by way of page plans, annotation, and quoted and explanatory texts. Open access page-by-page: https://t.co/iiz8RLRZfT

There were no Uniformbooks titles during 2024, with attention on a review of my own publications and associated works since the 1980s. A new book 'Manifold' is now available online, open access page-by-page; and as a large-format printed publication soon. https://t.co/iiz8RLRrql

"Thank you so much for the poems, the greening grasshoppers and the concertina one. If and when [we] get a house, we will put this on the mantlepiece (if there is a mantlepiece)."—Ian Hamilton Finlay, 6 October 1964. Stephen Bann, with Colin Sackett, 1964/2024 #concretepoem

Christmas !

Simon Cutts @thecoracler, 17 Jan 2017; from 'Uniformagazine' no.9.

Below please find a link to my blog post: https://t.co/BXDnP57QbG

The range of ideas in the public sphere is sooooooooo tiny. It's almost embarrassing, except that it is actually criminal and tragic.

Although ambivalent about heavily discounted books—especially those i've had doings with—but there are some absolute bargains just been made available in the Books About Art 'Coracle/RGAP' range. The Coleman, Cutts, and Lane, are almost essential i'd say. https://t.co/Lv8T5oBEEd

MAGA (Make Assassination Great Again) (Moi en: Donald-Trump-le-3-novembre-2020) #blanckartselfportraits

John Bevis has a chapter about the Keartons, 'Richard & Cherry Kearton: A Photographic Legacy' in 'Wild-Tier-Fotografie: Ökologische, postkoloniale und ästhetische Perspektiven; with their famous 'stuffed ox' hide shown on the cover. @JohnBevis8 https://t.co/8B9bm9Gler

I know we’ve been here before… but guess who? All his life He hated frauds. Worked in a factory. Ate wood - Pete Brown

an echo after gertrude stein, and after ian hamilton finlay’s echoes series ‘a space of time filled, always filled with moving’ / a space of time filled, always filled with stopping and starting. letterpress, sewn pamphlet, nineteen ninety six

Ordered cards.

Palindromic gouache collage study for a painting, 'Illiassa Sequin at Home' by Trevor Winkfield c 1976. From about the time Ken and Illiassa Sequin lived in Beverley, E. Yorkshire. Ken was a great enamel badge collector and wrote a definitive work on them.

@JoeDevlin Nice one, Joe... and cf. Les Colman's 'England v. Italy', at Coracle Press, 1981.

Paul Nash, Swanage (Steps in a Field), c.1936.

The nitty-gritty of small-scale publishing, and how the demands of monopoly wholesaler @Gardners (which also means their seemingly-holy @bookshop_org_UK) are detrimental. They might make bookselling more efficient, but they're not much use to us publishers.

Ian Hamilton Finlay, 'The Arts Council Must be Utterly Destroyed', 1982' @ace_national @Tate @LittleSpartaIHF https://t.co/O4nrZq1RY6

Those Jedwards of the art-scene, Elmsett & Dragnett have ventured into books and discovered libraries. This banal crap is unredeemed apart from the movement from curators to choreographers. Tiresome as the former has forever been, lets hope there's not a shift to the latter!