supahbaree
@supahbaree
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Don’t follow me for comfort - follow me for clarity. I don’t sugarcoat. I salt the wound, then help it heal. Because you don’t grow from comfort - you grow from truth.
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Josh Cullen – Brings strong energy, but maraming unnecessary movements, like excessive head motions and eyebrow expressions, that feel uncontrolled. Grabe ang hataw, pero nawawala ang impact dahil magulo tingnan.
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Justin De Dios – Expressive and expansive, confidently occupying space. His larger gestures appear magaslaw, with transitions looking less controlled or slightly exaggerated.
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Stell Ajero – Technically precise at controlled. Medyo mabigat tingnan ang galaw pero hindi OA at maayos ang form. Pablo – Relaxed at groove-based ang approach. May pagka-“tito moves” ang vibe pero controlled at hindi exaggerated.
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I rewatched each DC a few times, and here are my thoughts: Ken Suson – Pinaka-polished ang execution. Sharp, controlled, flexible, at fluid ang galaw. Malinis ang transitions at walang unnecessary movements. Balanced at hindi exaggerated.
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Overall, Ken, Stell, and Justin’s vocals fit most naturally, reflecting the cozy, heartfelt essence of the song. The chorus, in particular, works very well when they sing and harmonize together, creating a warm, cohesive, and festive sound.
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Finally, Josh’s delivery is less prominent, less distinctive, and less impactful; in live performances, he would likely need harmony support, as his solo lines may not fully connect emotionally with the audience.
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Stell’s moderate-high notes work well, but using more falsetto could have kept things light and airy, keeping the song easygoing.
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or reflective moments. Pablo has a naturally bright and slightly gritty tone that can feel a bit sharp or strong, so he’d probably need to sing more softly to match the gentle parts of the song.++
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Ken really stands out; his singing feels sincere and emotional, comforting and soothing, and I can imagine it drawing people in during a live performance. Justin’s soft, calming voice fits the holiday mood really well, adding gentle warmth that works beautifully in harmonies++
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A few notes on how I hear the vocals and how they come across: For the intro, I feel like either Ken or Justin would have been perfect -their voices give off that warm, cozy, Christmas-y vibe.++ https://t.co/NhsnXzV89X
open.spotify.com
Acer Philippines, SB19 · Tahanan (feat. SB19) · Song · 2025
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The PPOP Alphas are here with a live performance of “LAKUMPAKE!” 🪡🤍 #G22 #G22_TheDissectionOfEve #G22_TDOEAlbumShowcase
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The others could have picked Josh, but none did -his role is mostly performance, with very little involvement in songwriting or production. Not exactly the most exciting role to swap into for a creative challenge, even for a day.
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So in a role-swapping context, it makes perfect sense that: 1. Creatives pick other creatives, and; 2. No one chooses the member whose role isn’t really connected to their own.++
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because his role just isn’t in the same lane. Even putting aside pitch or swagger, their roles don’t really match. It’s normal that members won’t pick a role that’s way outside their skill set or that isn’t creatively challenging. It’s not an insult -it’s just how roles work.++
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Pablo’s the main songwriter, producer, and creative lead. If he were to swap roles, it makes sense that he’d pick someone like Ken -another creative who’s hands-on with songwriting, production, and directing. It’s not really logical for him, or anyone else, to pick Josh +++
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1st Album!!! #G22TheFirstAlbum #G22
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