Input: An arpeggiated Cm chord. Output: The cave behind the waterfall.

RT @songsbyblair: AntiChroma is out now (vst / au plugin). It makes basses metallic . its my sound design weapon of choice for unique, orga….

more additive reverb adventures. this is a sawtooth, but I'm filtering out which harmonics hit the verb (which is also just a bunch of sine waves). There's an odd, even, octave toggle and then an spectral XY control

arpeggiating harmonics <3

feeding the per-harmonic envelopes into the per-harmonic trem as modulation sources. keep saying this, but should be the last feature before launch.

one of my favorite pieces of audio software hit 1.0!.

working on the additive reverb. instead of lowpassing at ~7k, I might keep it more metallic. terminator 1 soundtrack vibes?

got a harmonic viz in and v1 of an additive reverb. time to start making patches. this is my current personal favorite

RT @mleuc_: s/o @sudara

it's almost a real instrument 😭

additive portamento — the glide time differs per harmonic. here the fundamental travels faster than the higher harmonics for both glide and pitch bend. no reverb on this, but sounds room-y

last feature before private beta (voice unison, still need to make it stereo)

pretty sure i found like 8 new bugs (maybe two of em are features?) but the pitch noise gets nastyyy

found this cool pitch randomness mode that makes surfing the harmonic bars super satisfying

so on the one hand, i should fix this slider to be more "musical" instead of technically correct, but on the other hand🥵!?!

Was nice digging into details w/ Jake!.

RT @songsbyblair: this is my effect with @aowaves on a saw wave

Had a great time interviewing @gbevin from Moog .

stress testin' so i can start the private alpha

this is 1 sawtooth voice. not sure yet if it's going to be sustainable to add 20 inharmonics *per* voice like this. Next up is Intermodulation Distortion between voices, i feel like that'll be the sweet spot (but IMD is boring / doesn't really exist for single voices).

been trying to hack in ideas for "additive saturation". failed so far, but this is interesting: inharmonic partials placed +/- ~5% around each harmonic when arpeggiating harmonics through "trem"