Spike Art Magazine
@spike_art
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Spike is a magazine for contemporary art by artist Rita Vitorelli, publishing quarterly in print, more often online. Spike #85 – NOSTALGIA – is OUT NOW!
Vienna/Berlin
Joined May 2015
“In the afterlives of the CCRU, Nick Land has had a strong cult following on the “intellectual dark web,” expounding his Dark Enlightenment philosophy to a cohort of nerds that turned out to include US Vice President @JDVance.” – Adina Glickstein https://t.co/PYjNAvzFEC
spikeartmagazine.com
The right-wing philosopher is back in the spotlight – cue the AI apocalypse?
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I remember a Russian friend who had recently relocated to San Francisco from Moscow. His reaction to the city can be summed up as: “This is it? This is the capital of the global tech industry, the capital of the future?” – @8ghtb4ll in https://t.co/lCWiUIkztm
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“If the week of Art Basel Paris taught me anything, it is time for everyone to liquidate their masculinity. Cash out of the New Man. There are problems. Sell off before they become bigger.” – Aodhan Madden https://t.co/oSFKPo233p
spikeartmagazine.com
What keeps a critic going through Paris Internationale, Art Basel Paris, and a dozen exhibitions besides? Imagining the whole shebang happening in flip flops – plus a drop of culturally “useless” dew.
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“After 9/11, anyone wishing to rehab sincerity was pushing at an open door: lackadaisical ironizing of reality was toast, along with the end of history.” – @MartinLHerbert on the art of @FriedrichKunat
https://t.co/lCWiUIkztm
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“Once formed in tortured meditation, or heroic acts of creation, or the heat of battle, etc., today’s most harrowing engine of selfhood is probably that teledildonic in our pockets, mirror and window and vibrator of the human ego.” – @travisdream
https://t.co/vbMon3Y8sv
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The shock-of-the-new is back in literature, rebooted for screen time – and with it, the question: To what end should writing reflect our networked selves?
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Berkshire Hathaway’s Q3’25 filing, Warren Buffett’s pre-ultimate quarter of disclosures, highlights 4 BIG MOVES: • New $3.7B stake in $GOOGL • Cuts to $AAPL, $BAC, $VRSN • Big add to Chubb $CB • Equity allocation still near 3-year lows More below 👇
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“All nostalgia is based on the novelty of misremembering. Blurry fictions of the nation, the culture, or the heart. These novelties may seem profound simply because they’re on repeat.” – Alex Quicho @amfq Photo: Hidhir Badaruddin @thehidhir
https://t.co/lCWiUIl7iU
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“These awful tech people have the kitschiest, clunkiest, most adolescent ideas of the future. People like @peterthiel & @elonmusk who grew up reading the most boring hard sci-fi, they now think they’re actually going to get us to Mars.” – @SimonReynolds01
https://t.co/lCWiUIl7iU
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“Any aging Art Person will eventually experience the traumatic loopiness of the present, which is just another name for the theory of the modern, or to be more specific, fashion – whose two faces are exactly novelty and nostalgia.” – Jeppe Ugelvig https://t.co/lCWiUIl7iU
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feat. @amfq @whitneymallett @MartinLHerbert @Ro_Mclaughlin Jeppe Ugelvig, Simon Reynolds, Adina Glickstein, Sean Monahan, Tea Hačić-Vlahović, Diego Marcon, Johan Grimonprez, Margaret Lee, Jeff Poe & Maja Bajevic. Cover by @FriedrichKunat
https://t.co/KbsDMZXctq
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Is culture doomed to ever-shorter cycles of cash-cow retromania, until AI memory-wipes us with pure simulation? Or is the root problem of our endless déjà vu actually the expectation that art “make...
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For our Autumn 2025 issue, Spike is cutting through the déjà vu aura around contemporary culture: Nostalgia. Are we doomed to ever-shorter cycles of cash-cow retromania? Or is the root problem of our anti-sentimentality actually the expectation that art “make it new?
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“People fear death and want to leave traces of their existence. But whatever they try is different from what they are, so their ends might be better served trying to be artists.” – Lynn Hershman Leeson to fellow artist Andy DiLallo https://t.co/fD471yu5mp
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Ever-prescient, the multimedia artist and filmmaker’s new memoir crystallizes the extensions of the self unique to art.
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“The hope is that the ongoing demolition of taste and further emptying of images of meaning might clear a path for new kinds of strangeness or beauty, that it will return to images some of the mystery that has been lost and give them some new, or a very old power.” – @deankissick
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This month, Adina Glickstein ventures further into the philosophical deep end as she fumbles towards a theory of psychoAInalysis. Her column “User Error” is online! https://t.co/e0M7Z5d8Dl
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I feel like if you care about cinema – and Cannes clearly does – and you don’t want the internet to exist in cinema, then you’re cutting off the medium’s potential to evolve. – Peter Vack to @eugeugeug and @therealsjloren
https://t.co/uTMHEyrN9M
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“Appreciating the intractability of the struggle between fascism and freedom, without losing hope of someday settling the matter for good, is the zen koan that animates Anderson’s film.” – Nolan Kelly on #OneBattleAfterAnother
https://t.co/waqkoPJ53A
spikeartmagazine.com
By turns militant, paranoiac, and deeply satirical, Paul Thomas Anderson’s new film stages an opposition to US fascism beyond screenshotting tweets.
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@deankissick @jack_self @BruceLaBruce @freeze_magazin @rebamaybury @SnowPhilip70953 @theRobPruitt @bizsherbert @JagoRackham @realityspammer @Alex__1789 @amandafortini
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For Summer 2025, Spike Art Magazine is getting freaky with the truest image of our time: Vulgarity. In a moment when moral offense refers less to the ass-scratching of uncultured commoners than the...
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Summer is temporary – but the VULGARITY e-Paper is forever. Get freaky with the truest images of our time, feat. @deankissick @jack_self @BruceLaBruce
@freeze_magazin @rebamaybury @SnowPhilip70953
@theRobPruitt @bizsherbert @JagoRackham @realityspammer @Alex__1789 @amandafortini
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Increasingly, “the algorithm” doesn’t give you what you ask for. Instead, you’re presented with cheaply produced extremism. It’s like the whole world is a strip club with the lights on, but also an escape room, and the only door is fake. – @travisdream
https://t.co/XjDFaRtbxe
spikeartmagazine.com
Why does performance art seem to be retreating behind a screen? The view from a strip club void of strippers.
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