Solem Quartet
@SolemQuartet
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🏅ROSL Ensemble Prize 🎓 Artists in Res. @livuni // The SQ has established itself as one of the most innovative and adventurous quartets of its generation. 🎻
London, England
Joined September 2012
It's exactly 100 years today since the premiere of this absolute gem of a piece, Leoš Janáček's 'Kreutzer Sonata' 🎼. This is one of our fave moments from the 2nd movement at our concert at @wigmore_hall last year ❤️
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RT @TheStradMag: ‘People sense when you are genuinely passionate about something’ @SolemQuartet violist @stephenupshaw shares his thoughts….
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Thank you @ShekuKM for selecting our recording for your playlist and to @OlafurArnalds for giving it a spin- we totally agree about the magic of Edmund’s music! ✨@BBCRadio3
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Thanks for listening ! We have lots of exciting projects in store for 2025 - hope to see you at a concert very soon and stay tuned here for announcements! ⭐️
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RT @MusicSkipton: Our next concert is on Tuesday 26 November @SkiptonTownHall and features the @SolemQuartet & @shiryviola in a programme o….
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We've just shared the very beautiful third movement from Edmund Finnis’ Devotions over on our YouTube to celebrate 1 year of Painted Light. Live rec @stjohnswaterloo for @Spotlight_C_C concerts. Catch the full vid here: ❤️. @schottmusic.@TashminaArtists
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RT @TashminaArtists: @SolemQuartet in @KingsPlace ‘Earth Unwrapped’ line-up | #News.London's Kings Place announces the Solem Quartet's par….
kingsplace.co.uk
Join Solem Quartet at Kings Place for an evening of music which asks us to contemplate, or perhaps mourn Earth’s current condition, whilst reminding us of its natural aural beauty.
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RT @LaurenceOsborn: Thanks @IvorsAcademy ! Thanks to @SolemQuartet @wigmore_hall for the commission!.
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RT @schottmusic: We are very excited to announce that British composer Edmund Finnis has signed with Schott Music, joining our internationa….
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Warming up for last night’s gig w @AliceZawadzki 🤍. Looking forward to some Boulanger, Debussy and Mendelssohn later this afternoon! . @WhidAutumnFest
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Nadia Boulanger, Mendelssohn, Debussy, @SteveReich and Kate Bush arr. @will_newell (alongside @AliceZawadzki ) all coming up Sept 20/21 - see you soon @WhidAutumnFest ! ⭐️.
🍂 Just under two weeks to go! #WhiddonAutumnFestival2024 - World-class vocal & chamber music in the heart of #Devon 🎶. With 13 events in 5 days, this festival has something for everyone. 🎟️ Look at the full programme and book your tickets now at 👉
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RT @MusicintheRound: Our series @PortsmouthGhall featuring @kathystott, @Ensemble_360, @MarmenQuartet, @SolemQuartet, @RakhiSinghMusic, @Th….
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A clip from our reh at @ROSLARTS last week playing Amy Tress’ beautiful arrangement of Nadia Boulanger’s Three Pieces (No. 2). Thank you to the brilliant @ZaraBenyounes for being with us while Amy is away looking after her new arrival. ❤️
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RT @latimer_ryan: Very happy recipient of the @PRSFoundation ‘Open Fund for Music Creators’!! 🥳 Extremely grateful for the support and can’….
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RT @stephenupshaw: Thanks @TheStradMag for publishing my intro to our coming performance of Julius Eastman at @BarbicanCentre for Classical….
thestrad.com
Ahead of a Classical Pride string septet performance at the Barbican on 7 July, violist Stephen Upshaw examines the work of US composer Julius Eastman, whose works initiate difficult, but much-needed...
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RT @WhidAutumnFest: 🍂 #WhiddonAutumnFestival 2024 PROGRAMME ANNOUNCEMENT. We’re very excited to announce the line-up for our 4th annual f….
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RT @ComposersEd: Solem Quartet will perform Bushra El-Turk’s ‘Rostan, Rastan, Rast-garee’ with Faraz Eshghi on Thursday! Tung Auditorium, L….
thetungauditorium.com
Beethoven Bartók Now: Courage brings together the late quartets of Beethoven and the quartets of Bartók, uniquely reimagined with music from composers of…
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Great @nytimes article about changing the canon in classical music - bravo @bushraelturk! We can’t wait to play the brilliant work she wrote for us as part of our concert at @TungAuditorium on Thursday !
nytimes.com
In Vienna, a series of concerts and summits will highlight women and nonbinary composers, as well as the dominance of the dead, white, male canon.
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