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RT @danpjsheehan: Last year, the Albany Book Festival, Elisa Albert, and Zibby Owens all smeared pro-Palestinian writers Aisha Gawad and Li….

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RT @taoleighgoffe: Find my new book #DarkLaboratory online wherever you buy books!. At my @mcnallyjackson book launch 🚀 .we were sold out.H….

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Thank you, as always, to all our wonderful contributors. Front cover by Jiaqi Kang.

From the contest's poetry shortlist, Ava Chen @bolaholabola charts eruption within a domestic space across her hybrid poem “Floor Plan of Newly Abandoned Bedroom.”.

From the contest's fiction shortlist, Ruby Wang @rubertcube explores the tension between making something real versus something people want to see in “The Film;” in “It Hangs in the Air,” Qiaoying Chen examines family tensions playing out in both dialogue and things left unsaid.

Art from Angie Kang portrays an elusive and intimate affair among the moonlit trees and shows us how the mind drifts to whimsy and deep reflection.

Lisabelle Tay @lisabelletay's poetry steers us through the animal violence and timeless mercy of the body, whilst Alice Liang @aliceyliang takes inspiration from Eileen Chang for her poem “Autobiographical Writings of Chinese Women.”.

Our first game feature is Kwan Ann Tan @KwanAnnTan “The Vending Machine of Infinite Possibility”, which unfolds a fictional universe with endless playable options.

Senior Editor Yue Chen @togekisskiss and writer Muriel Leung @murmurshewrote discuss Leung’s new novel How to Fall in Love in a Time of Unnameable Disaster, along with Asian American hybrid writing and meaning-making amid catastrophe.

Editor-in-Chief Jiaqi Kang @jiaqikangjiaqi chats with Mike Fu @wheatfu about the cultural history behind his debut novel, his academic background, and his current interests and inspirations.