imani
@sensitive_bore
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Joined February 2011
please help my friend fadi. if you donate at least $20 please send me a screenshot and i will carve you an ex libris stamp with your name on it (or anything you want, really) and mail it to you or deliver it if you are in/near nhv
With all my shyness, frustration, and anger... I am hungry. To help me:đ If you can not help, share to reach someone who can..âŒïž https://t.co/MhUgFxP2UR
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âlast night another big one fellâŠâ âbut have i fallân or no?â edgar: âthink that the clearest gods, whom make them honors of menâs impossibilities, have preserved thee.â blinded gloucester falling forward in king lear (1623 folio)
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âi asked my cab driver what he considered to be the most important event of 1848. with an air of absolute certainty, he told me âthe death of emily brontĂ«.ââ nancy armstrong, desire & domestic fiction, 1987.
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âi would rather the house burn down than our flames go out.â frank oâhara, âchristmas card to grace hartigan,â 1954.
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âlast night another big one fellâŠâ a license plate i miss⊠john donne tells us to âgo and catch a falling starâ ⊠âalabamaââ rhymes with âhammerâ and âdramaâ the way ella fitzgerald & louis armstrong sing it
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what are stars but asterisks to point a human life? âlast night another big one fellâŠa glistening armadillo left the sceneâŠhead down, tail downâ 1. and 2. eliz. bishop, âthe armadillo,â 1965. 3. paul klee, âdieser stern lehrt beugenâ / âthis star teaches bending,â 1940.
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we drive but god steers: âi wanderedârather, i floundered...â ânumberless, wondâring steers and oxenâŠbeef for the armyâŠpoor, starving dumb or lowing creaturesâ elizabeth bishop, âfrom trollopeâs journal: winter, 1861,â 1965.
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jane austen, cutup d.a. miller, jane austen, or the secret of style, 2003.
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for me, to think of âlampblackâ is to think of a beautiful & kinda strange fragrance by fzotic but also to think of writing âin the darkâ in general (cf. india ink) see lewis carrollâs square substitution cipher for night-writing, done with something he called a ânyctographâ
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cummingsâs festering snow cf. williamsâs âencrustedâ plum tree⊠there is something in the liquid-to-solid state change that is purulent and disgusting
a stanza from âdella primavera trasportata [sic] al morale,â william carlos williams, pub. 1951. love the idea that the plum blossoms have oozed out of the tree like syrup and then crystallized. before they are plums proper they are sugar plums (or old jam?)
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this poem has such a palpable (and specifically cold) transposition of ee cummings to me⊠from ee cummings on the (not absolutely) small hands of the rain to oâhara writing of snow festering on eyelashes âas if they were handsâ
final stanza from e.e. cummingsâs poem, âsomewhere i have never travelled,gladly beyond,â 1931
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i know everyone on this site says âi think about this all the timeâ as an indicator of like, interest and not as a literal index but i absolutely, positively will never get this (minor) line from kissing jessica stein out of my head
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@laura__sonja two kinds of people: those who cut knots & those who untangle them susan stanford friedman, analyzing freud, 2002.
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the h.d. - bryher - kenneth macpherson mĂ©nage was quite a familyâŠ
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h.d. gave gay men their own L word: lederer (leder = leather in german) maybe âlilacâ too⊠letter to kenneth macpherson, 7 may 1933
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new epithet found under âdressmaking helpsâ in a routine newspaper trawl my dad said technically itâs my little brother
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anne listerâs diary entry for 15 december 1822 still true enough
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