Schrift Publishers
@schriftpblshrs
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Since 2013 we are running the Schrift endeavor with an aim to collect and share knowledge about visual culture, typography, and type design through all media.
Joined August 2013
We are excited to announce the launch of Schrift Foundry. By now, the foundry offered a diverse collection of fonts and provided custom type production for a wide range of customers. Welcome: https://t.co/B32RcwdpSx
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My friend Евгений Юкечев (Eugene Yukechev) and his team @schriftpblshrs are finally launching their Schrift Foundry website. Congratulations on the launch!
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Aaron Burns: Till we meet again (2021) https://t.co/jVgCcVVbay Встречи с Виллу Тоотсом (2016) https://t.co/ruJrCnKxB2 The Trajan Letter in Russia and America (2016) https://t.co/CBYFoxWmPW Towards an open layout: A letter to Volodya Yefimov (2014) https://t.co/A1Wr0ShCai
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In a better and more just world, we would hold a ceremony to honor his talent and skills. Alas, bound by the limits of reality, we settle for expressing our eternal gratitude for his presence in our lives here. Read some of Maxim Georgievich's works in Type Journal:
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We are celebrating the 80th birthday of Maxim Zhukov (*30.04.1943) — a typographer, as he humbly refers to himself in public. We, however, know him as a demiurge — a man worthy of the highest praise, both personally and professionally.
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Typography papers is now online! We are pleased to make available PDF files of articles from volumes 5, 6, and 7: https://t.co/05hd3qedGE. Articles from other volumes will be forthcoming. We look forward to reconnecting with existing readers and reaching new ones.
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We just published a brilliant piece of reading—Gerard Unger's (1942–2018) address, which he delivered at the acceptance ceremony of the professorship in Typographic Design at Leiden University back in 2007—‘Typography as Vehicle of Science’. Enjoy: https://t.co/kmhZDvaBt0
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“When I first saw the sign, I just smiled, and muttered to myself, ‘Privet ITC’. On April 20 the ITC Center opened its doors at the same address.” — an essay by Maxim Zhukov on meeting Aaron Burns, organizing exhibitions together and partnering: https://t.co/IZ6tFOxTzN
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If you are interested in the Cyrillic script, and read Russian, Много букв (Many letters) is a richly illustrated collection of 30 conservations about type, language and its form. From the @typejournalru
https://t.co/BOMQahzg45
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My thesis on /Designing italics/ is now freely available, with suggestions of how to find the good stuff in the midst of the dry academic prose. https://t.co/nqMzpX01lO
@UniRdg_Typo #Italics
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«Гуси, наверное, вздохнут с облегчением». Поговорили с «Демонами печати» о Гутенберге: https://t.co/gTGBDmR2z7
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“If one wanted to experiment freely with Cyrillic forms and rhythms, one would have to question commonly accepted practices and dare to think differently” — Irina Smirnova and Max Ilinov are mapping the intertwining roots of type design and calligraphy. https://t.co/mOzocnGglD
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Это красиво.
Original punches of the Capitale de Paris No.781, cut by Jacques-François Rosart around 1744, preserved in the Museum Enschedé, Haarlem, the Netherlands. Photos by Walda Verbaenen for the Rosart Project. The ‘Le Rosart’ typeface family will be released in the next days.
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It is funny how everything came together in this article — highly recommended! Step 1: My analysis method from 2005 at @typemedia Step 2: my logo for @typejournalru Step 3: cover of this brilliant article Everything you need to know about Cyrillic: https://t.co/dnX7vUZWey
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Dear type design twitter, who has @fermello78 email? We have some good news for him.
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A fresh must-read article about Cyrillic by @yukechev @typejournalru
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