Sebastian Pardo
@sbpardo
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co-founder of MEMORY graphic designer word enjoyer
Los Angeles, CA
Joined July 2011
Welp, the titles I designed for the Brutalist are out "exclusively" on @DiscussingFilm
Exclusive look at the opening-title sequence from Brady Corbet's ‘THE BRUTALIST’ Featuring music from Oscar-nominated composer Daniel Blumberg & cinematographer Lol Crawley. Now in theaters.
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How to be a designer: - Find an arbitrary rule and follow it religiously. - Be disappointed in someone else’s work. - Call their problem “simple” without any knowledge of the constraints they faced. - Insist that it would never have happened in the Steve Jobs era.
How can @Apple mess up a simple corner radius calculation on the new iPhone Air? So disappointing. This never happened in the Jobs and Ive era.
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It always bothered me the accusations of “new generations” having short attention spans. It might very well be true, but I think it misses the bigger difference between the hallowed older generations who watch broadcast television, movies, read books, and glare down at the phone
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Good view of the Brutalist Packaging, best you'll get short of getting one of your own. Or.. uh.. I guess seeing it at a friends house or something.
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All you Kanopy havers out there. Good night to watch “Love & Mercy” — I feel like it’s an under appreciated gem from Producer turned director Bill Pohlad, about Brian Wilson. With great performance from Paul Dano, and some of best narrative “recording studio” scenes put to film.
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Pleased to share my latest work. A fun short Music Video like thing where we took the opportunity to be more adventurous with the graphics. -- Thanks to Trey Edward Shults. Also, check out the movie when it comes to town. https://t.co/3RzFYI325N
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Latest Title Design
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Whoops. (editing, writing, directing)
Saw Anora. I’d never seen a Sean Baker film before. I’m not a big “story” guy, or WGA type, but I was immediately struck by how scenes would stagnate, repeating the same beats to no real effect. My first thought was that perhaps his days in no-budget filmmaking trained him to
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Perhaps an overlooked element in the development of new filmmaking voices, lies in the step before film festivals. Before there is even anything to submit, there is a sorting of sensibilities, taste, influences, and talent that happens methodologically via institutions or
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And now some of the end credits I designed are online!
“No matter what the others try and sell you, it is the destination, not the journey.” The Brutalist (2024)
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We're thrilled to bring you Daniel Blumberg's stunning, Academy Award-nominated score for #TheBrutalist on double vinyl & CD. Available for pre-order today, the 32-track album arrives on 2-CD + heavyweight 2-LP with printed sleeves & gatefold packaging designed by @sbpardo.
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A monumental occasion. Daniel Blumberg’s Academy Award-nominated score for #TheBrutalist is now available to pre-order on vinyl & CD! The 2-LP set comes pressed on heavyweight, 180g vinyl housed in printed sleeves and gatefold packaging designed by The Brutalist title designer
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Just Announced: Daniel Blumberg - The Brutalist (Original Motion Picture Soundtrack) @MilanRecLabel
https://t.co/xb6Q9bAsvA Gatefold package designed by The Brutalist title designer @sbpardo in close collaboration with Daniel Blumberg.
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