:Doomsday Journal: My writings on best-case & worst-case scenarios. Just thinking out loud. Comments, criticism and additions will be appreciated. All writings together in one thread below, will keep adding new ones as I publish them. #sankiking #doomsdayjournal

SANKI KING STUDIO Public Studio Update — Q1 2026 Contact: studio@sankiking.com ———•——— Download PDF: https://t.co/n3yRHwPmSt ———•——— IG & FB @ sankikingofficial #sankiking #sankikingstudio

SANKI KING STUDIO Studio Announcement — March 2026 All inquiries and collector access: studio@sankiking.com #sankiking #sankikingstudio

Eid Mubarak 👁

Who is Sanki? #whoissanki #sankiking

I clearly remember it was a big challenge to work with ballpoint pens on such fragile paper. #sankiking #sankiarchives #sankiblackbook #blackbook #letters

was bored of using coloured pencils, coloured pointers and felt tip & brush markers. Also, this particular sketchbook has very thin paper, like the paper used in cheap newspapers or like a folded butter paper.

Just found this piece in a 2009 sketchbook which is now extremely fragile. This study is from the time when I had just started experimenting and playing with 3D letters and shading using coloured ballpoint pens because I …

https://t.co/Uao0UaBg6k

I built this algorithm 🧱 by 🧱

Someone needs to create an AI with a laser gun that kills all the mosquitoes in your room 24/7 because I’m fucking DONE!!

I was right that the crash is about @Strategy but from this report I realised it was not to make him sell what he owns but stop him from buying more 🎯 https://t.co/pprojHRuEi #btc #bitcoin #michaelsaylor

Since the Oct 2025 crash it is becoming more and more apparent to me now as #btc drops further, that it is a collective effort of top market makers to force @Strategy to sell its Bitcoins.

If you’re curating festivals, conferences, museum programmes, or brand projects around these questions and want this perspective on your stage, let’s talk. Speaker Profile: https://t.co/srNhrSvbQu #SankiKing #function1 #ArtMeetsAI #SankiXAI #ArtXAI

Grateful to share the stage with Prof. Baris Atiker, Jack Deakin and our brilliant moderator Chantel Elloway. Massive respect to Addy (Artem) Crezee, Vladimir Arustamov, Bridjet Kisakye & Gowri Shankar Sivabala for crafting a powerful conference.

I’ll keep showing up wherever serious conversations about the future of digital culture happen: Dubai, Abu Dhabi, Beijing, Paris, New York, Karachi, Tokyo… Wherever the work needs to be done.

My practice lives at the intersection of: Art × AI × AR × Web3 × Identity. That’s where culture is bending, breaking, and reforming.

If you don’t like the answers an AI gives you, you probably need better questions. Same rule applies to people; in work, in love, in family. Deeper questions, deeper answers.

AI isn’t a mysterious sentient force. It mirrors the energy and intention of the user. I quoted Heisenberg on stage: “What we observe is not nature itself, but nature exposed to our method of questioning.”

I haven’t used AI to generate or modify my artworks yet. I use it for research, knowledge, and finding opportunities. And I’m open to bringing it into the studio, not because I need it, but because I’m not threatened by it.

If you meet AI as an enemy, it will feel like a threat. If you meet it as a tool, it can make you sharper, more powerful, more intentional.