CherylC
@pseudocamou
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banner by @h_nyansuke
Vancouver, British Columbia
Joined February 2022
IWAI SHUNJI The Film Works 30th Anniversary 1995–2025 12/26(金)から来年4月まで5ヶ月にわたって、代表作から近作まで全15作品を一挙上映します。この機会をお見逃しなく！ ラインナップ・上映館の詳細はこちら https://t.co/HCxXA0Y9p0
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In the early 1980s, Mariya Takeuchi was making city pop in Japan, music meant for late nights and empty streets. Her song “Plastic Love” was ignored at the time, only to be rediscovered by the internet 40 years later.
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As every year at Christmas, some Japanese theaters will screen "Tokyo Godfathers" 🥲 https://t.co/ROO9PTZ94s
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『PERFECT BLUE』 ものすごい熱気でした。 日曜日ということもあって劇場は満席。世代の人たちよりも公開当時はたぶん生まれていない若い学生さんたちの方が多かったです。クライマックスあたりでお客さんたちが一斉に息を呑む瞬間があり......ああ、��う、.....ありがとう今敏監督！って感じです。
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@pseudocamou As you say, the view of life and death, the aesthetics of subtraction, and the elimination of unnecessary dialogue in Takeshi Kitano's films evolved from this work all the way to HANA-BI.
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Whenever my sales is not doing well, I'll blame my art, instead of blaming on platforms, markets, collectors or any other external factors. Why? Because making better art is the only thing I can control. Putting the blame on other factors won't contribute to my progress.
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Softness is not a weakness. It’s a strength that survived what should have hardened you.
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