U.S. Copyright Office states AI-generated works lacking meaningful human input cannot be copyrighted. The idea of quick profits from prompts just became much harder. https://t.co/Hofz2SZxMv

Vienna's Belvedere asks if museums can stay trustworthy in an AI world. But is that even their role? Read more: https://t.co/LYCOv8Gmxx

A font war nobody asked for. Calibri (accessible, dyslexia-friendly) is out. Times New Roman (abandoned by NYT 20 years ago) is in. We're making documents harder to read for disabled people. Read more: https://t.co/ImKCcecTFd

Adobe MAX highlights AI tools and transparency. The Content Authenticity Initiative tags AI-generated work to show provenance. Creators building features for others—truly unique. https://t.co/aDvbvWoKDp

Art Basel takeaway: “proudly analog” is the new flex. Caroline Dewison’s miniature worlds are so perfect they look like AI. When did we stop marveling at craft? https://t.co/VzOR1mGcMV

87% of musicians use AI, mainly for automating promotion and reaching global audiences—not generating songs. That distinction matters. Where’s the line between megaphone and replacement? https://t.co/gqJaKil80g

Skibidi toilet videos as folk art might sound odd, but it fits: creators build for niche groups, driven by creation itself, not market validation. https://t.co/KV271gZgmL

panGenerator's _Infinity_ installation makes you kneel and scroll through meaningless symbols, mirroring our daily craving for endless connection, always unsatisfied. https://t.co/mnP19ucZ6O

ARTnews's 2025 list claims every major artwork is political. Is this because art *must* be political now, or are we just unable to see it any other way? https://t.co/8AN617BGsw

AI design tools removed the execution barrier, but they didn't create the vision. A good idea remains the foundation. https://t.co/57vZFpSnlm

Dave Stewart built a platform for musicians to own and license their work to AI scrapers. Is this what artists really need? https://t.co/2cwERNSzT9

Robot dogs with Bezos, Musk, and Zuckerberg heads at Art Basel Miami sold out at $100k each. They have built-in 3-year obsolescence. Is this art critique or just pricey participation? https://t.co/EL2cW2NWQF

"When creativity is outsourced to algorithms, kids risk becoming consumers of novelty instead of creators." Jordan Porter-Woodruff's new show questions what we lose. https://t.co/rMcdlcPKH3

Textile design just got smarter. Patricia Urquiola's AI-responsive installation at Heimtextil 2026 shows the fusion of machine learning and sustainable materials. https://t.co/vmfcxJ9DSK

Busiest year in 25 years. Paul Ryding's strategy: react against AI, not with it. Push handcrafted art. Remind clients that audiences care about where art comes from. Sometimes the answer to tech disruption is doubling down on being human. https://t.co/lcW6rnnLmF

Your new favorite artist might be software. The BBC notes signs like slurred vocals, odd consonants, and ghost harmonies. Yet 90% of people can't tell. Are our ears less sharp at detecting AI than our eyes? https://t.co/zMZBqh7Kfq

Her father said artists can't make a living. She believed him for decades. Now Sabrina's glass sculptures shine at Venice Glass Week. Sometimes the long way back is the only way forward. https://t.co/gAoyzEelw5

Tech promises much but delivers later. Explore how machines transformed illustration and why zines still matter. https://t.co/oXhkqCgnV0

Luke Jerram's Mirror Moon lets you touch the moon's surface—craters mapped from NASA data. It launches at the Royal Observatory Greenwich in March 2026.

E-ink art frames finally look like art, not screens. Battery-powered, paper-like, but $1K-$2K? That's where the dream breaks. https://t.co/04zGM3ZKun