Points of Review
@pointsofreview
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Occasionally Insightful Film Reviews.
Calgary, Alberta
Joined January 2021
Trailer just dropped. Excited for more folks to see this one. Not sure if lube will be offered for all showings. https://t.co/Wk3HJSIJ3m
This is a real thing that I wrote in a real article. What a time to be alive. You can read the full review here: https://t.co/FRxKLzAHdh
#Together
#NEON
#SXSW2025
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Check out the full article outlining the Top 5 Films at the 2025 SXSW Film & TV Festival. Until next year! https://t.co/olID8SQ0Xh
#SXSW2025
pointsofreviews.com
Through deeply personal storytelling and performances that refuse to be forgotten, these five films define the 2025 SXSW Film & TV Festival.
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1. Satisfaction Satisfaction is an exercise in restraint – a meditation on power dynamics, unspoken control, and the reclamation of self. But what elevates this picture is Emma Laird’s performance, a career-best turn that cements her as a rising star. #satisfactionfilm (5/6)
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2. The Perfect Neighbor Few films capture tragedy the way The Perfect Neighbor does. Using two years’ worth of police bodycam footage, director Geeta Gandbhir reconstructs an avoidable murder Full article: https://t.co/olID8SQ0Xh
@GeetaGandbhir
@righteouscinema
@parkpictures
pointsofreviews.com
Through deeply personal storytelling and performances that refuse to be forgotten, these five films define the 2025 SXSW Film & TV Festival.
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3. Together Michael Shanks’ debut feature takes the creeping anxieties of long-term commitment and twists them into something visceral, grotesque, and unexpectedly hilarious. @timtimfed
@neonrated
@alisonbrie Full article: https://t.co/olID8SQ0Xh (3/6)
pointsofreviews.com
Through deeply personal storytelling and performances that refuse to be forgotten, these five films define the 2025 SXSW Film & TV Festival.
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4. Hallow Road Confined largely to the inside of a car, Hallow Road turns a parent’s worst nightmare into a suffocating psychological experience, unfolding mostly in real time through a series of frantic phone calls. @XYZFilms @TwoandTwoPics
#BabakAnvari (2/6)
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5 standout films from the 2025 SXSW Film & TV Festival @sxsw 5. Bunny Bunny throws its audience headfirst into the chaotic, overstuffed world of a New York tenement building where doors never seem to close, and peace is an abstract concept. (1/6)
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Is DEAD LOVER the sexiest movie at @sxsw ? Congrats to Grace Glowicki and the rest of the team for their sale to Cartuna x Dweck! Here's a clip from my conversation with them - how much sex is really in DEAD LOVER? More on the distribution deal: https://t.co/YG5JNYBmWf
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This is a real thing that I wrote in a real article. What a time to be alive. You can read the full review here: https://t.co/FRxKLzAHdh
#Together
#NEON
#SXSW2025
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I can't lie – Neon's marketing game is on another level right now. If you know, you know. @neonrated
#Together
#SXSW2025
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Michael Shanks, director of TOGETHER with a perfect jab at Adrien Brody before the SXSW premiere #SXSW2025
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THE TRUE BEAUTY OF BEING BITTEN BY A TICK isn’t for everyone. Its slow-burn pacing, deliberate absurdism, and refusal to commit to a singular tone will frustrate some. But if you appreciate indie horror, collaborative filmmaking, and pushing creativity it’s a must-watch. 4/4
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Ohs works with a “table of bubbles" philosophy: the creative process cannot bear external pressures – it must be weightless, adaptable, and entirely free of constraints. This approach has resulted in five films in five years, with this latest film being one of his best. 3/4
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The entire cast and crew of THE TRUE BEAUTY OF BEING BITTEN BY A TICK worked in tandem, shaping the narrative through improvisation and continuous scene development, allowing the film to evolve organically during production. #SXSW2025 2/4
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THE TRUE BEAUTY OF BEING BITTEN BY A TICK is a manifestation of indie filmmaking in its purest form. This project from Pete Ohs brought Zoë Chao, Callie Hernandez, and James Cusati-Moyer on board – all of whom share writing credits. 1/4 Full article:
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Satisfaction is bold and refuses to shy away from discomfort. It forces its audience to sit with discomfort – an act that, in itself, is an invitation to confront our own silences. There are still two more screenings at SXSW. Get out there and watch it. (4/4)
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It stars Emma Laird, and if you haven't heard of her, there's a pretty good chance you will soon. Laird garnered some attention in The Brutalist, but this is her coming-out party. She fully embodies Lola, delivering a performance that is as powerful as they come. (3/4)
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