pantea
@pantearm
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interested in sounds, sundew and food | Follow my photography at @pantearm instagram
Tehran
Joined February 2018
As an Iranian artist who has moved continents 2 years ago with absolutely no money, yet surviving with hope and resilience (and sense of care to share with others whatever privilege I have)—this is grotesque, and yet another lived experience of an unfair norm.
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Been waiting 6 months for a £200 payment from the University of Glasgow (@UofGlasgow)—while UK unis charge intl. students £20K+ a year. I’m sharing this experience in solidarity with all unpaid artists & cultural workers.
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Seeking to go beyond a one-world epistemology, through humble questions and strong solidarities, M Murphy talks of “coming together not only in relations of killing, but also inviting each other to be alive in each other’s livingness.” https://t.co/IKFyzzbHDn
#podcast
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#podcast 🌱 https://t.co/HvLAIINoOD 🍃 Iranian sound artist @pantearm discusses agency, more-than-human subjectivities and the (im)possibilities that open up when thinking-with sundew. She also shares her experience with the Khamoosh listening and archiving community.
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Don't miss this ingenious, emotional & insightful conversation. They talk about psychological warfare and about Sumud—or the reverie of resistance—, and the worldliness of our subjectivities in a world that is not the same for everyone. Image by Awad Hamad, the occupied Palestine
Lara and Stephen Sheehi engage theory with teeth, exploring Gaza as a scaffolding for a political critique, psychoanalysis under occupation, and more in a powerful conversation on resistance and liberation. #DecolonialPsychoanalysis #Sumud #Nafas
https://t.co/mkyUeFsmBT
#podcast
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Excited about sharing a fragile rehearsal of Fragile Fragments, with the great company of Alfredo Costa Monteiro & Arnau Sala Saez. If you are in Barcelona, come by next week on Saturday 20th of July at Niu C/ dels Almogàvers, 208, Sant Martí, 08018 at 8 pm @arnausalasaez
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& to listen to parts of the conversation with @phamthikang + sounds recorded in collaboration with some of the women who works at the museum during the cleaning shift 6-10 this morning. Special thanks to Miria, Josefina and Leslie among other women who clean the museum everyday.
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Inspired by Françoise Vergès’s call to ask ourselves when we occupy a space: “who cleaned this place?”, I’m inviting the visitors of @MACBA_Barcelona today, as part of Lydia Ourahmane’s invitation for her exhibition #108days, to clean the Museum tower that's remained uncleaned,
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Avui @pantearm, artista sonora i membre del Grup de treball de RWM, posa en pràctica l'escolta d la nostra conversa amb Françoise Vergès https://t.co/uhHyyM6dMm en la seva intervenció a #108days, incorporant-se a l'equip de neteja i reconeixent la seva tasca diària imprescindible
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Feeling privileged to have been present & contributed to conversation with Françoise Vergès and to relisten to her suggesting a political understanding of vital needs and natural elements, among other topics. You can listen to the podcast now at RWM website. 💧👂
New #podcast 📡 Political scientist, historian and activist Françoise Vergès https://t.co/K8gvjwVMLz unpacks the social and environmental politics of cleaning+waste, charting and questioning temporal and spatial interactions that create a neutral site of exhaustion+exploitation.
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#behindthescenes 📻 In our last session w the Radio Web MACBA Working Group ( https://t.co/Si95GIFwc8) our dear pantea brought the most amazing sweet bites: vegan, gluten-free chickpea cookies infused w cardamom. 📡Recipe for Shirini nokhodchi 🍴 https://t.co/4uVcRIBPkG Nooshe jān!
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read this thread
Two month ago, we planned sort of a mini tour in Europe with lots of hope and passion. We’ve only had one live performance during the past 3 years, and it has been an utmost suffer to us both mentally and financially. (1/5)
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Despite all the overwhelming thoughts and emotions these days, it's been joyful & empowering to be part of @sonicacts biennial 2022, along with a brilliant company of sound makers and listeners. Come by if you are in NL - tickets via @sonicacts bio link.
Premiering live this Saturday at Het HEM, 'Fragile Fragments' is a collaboration between sound artist @pantearm and visual artists u-matic & @telematique → Purchase your tickets for Inner Ear(th): https://t.co/WM8zvwdPm9
#SAB22 #InnerEarth
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So happy to be a part of this panel discussion around wetlands on rights of peatlands, art, etc. I'd be talking about how working with Sundew has taken me to different places and formed listening experiences. Tomorrow, June 14th, 18:00 BST, see the thread for more info & reg!
We're delighted to share more about our Women in Wetlands session 🧵 Everyone is very welcome to join us, you can sign up via this link -
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It's been a joy working on Fragile Fragments w the visual artist duo u-matic & telematique over the past few months. The AV installation is up till Feb. 6th at Kunstraum Bethanien, Berlin @CTMFestival, s/o to @actvlstclub, @poryahatami and @sotesound with their support & help
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Our friend & affiliate @pantearm has composed a piece for an audiovisual installation in collaboration with viz artists u-matic & telematique for @CTMFestival '22 Exhibition in Berlin. Info here: https://t.co/YdYoIlMdIW
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exciting tunes from @olliaarni @tracedobjects @genotcentre @poryahatami @jessekaminsky Sonic Tehran project and less known recordists/contributors
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In this group, we’d also share some resources about our project, & ways you can engage with it…in more detail: we’d plan future meetings together, exchange ideas, and listen together to our sound recordings and film suggestions. Our communications will be in both Farsi & English
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today, we are presenting a sonic preview of this project and we are inviting you to join us to listen to it together. Wherever we are in our own spaces and share our reflections feelings, cat stickers, etc.:D in this telegram group:
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