Channing Tatum plays a spree-robber on the lam in “Roofman,” a movie that can’t decide whether to celebrate his antics or denounce them.

Luca Guadagnino’s campus drama “After the Hunt” falls on its face trying to court controversy, writes our critic.

At New York City Ballet there’s a new work of uncanny beauty, Jamar Roberts’s “Foreseeable Future,” with costumes by Iris van Herpen, inspired by nature and technology.

At the Met’s ‘Divine Egypt,’ the gods are eternally fabulous. This once-in-a-decade exhibition of ancient deities ranges over more than 3,000 years, and includes monumental statues to gleaming gold figurines.

“President Trump told reporters on Sunday that Portland, Ore., is ‘burning to the ground.’ According to sources, people are even dying of dysentery.” — Seth Meyers

A festival at the Joyce Theater leaves out the Age of Aquarius work that made the choreographer Gerald Arpino popular, presenting surprisingly old-fashioned ballet instead.

Madison Cunningham’s beautiful folk-pop earned her a Grammy in 2023. But after a major shift in her personal life, she’s returning with a defiant edge.

In its first five days of release, Taylor Swift’s “The Life of a Showgirl” has sold the equivalent of at least 3.5 million copies, breaking a record set by Adele’s “25” a decade ago.

The composer Helmut Lachenmann, who turns 90 this fall, has expanded the spectrum of sounds that instruments produce, and that audiences can perceive.

Some moviemakers sweep you away with the beauty of their images while others seduce you with their technique. The avant-garde filmmaker Ken Jacobs, who died Sunday at 92, operated on a whole other level, writes our critic.

Rolando Villazón’s lucid and thrillingly sung production of Bellini’s “La Sonnambula” at the Metropolitan Opera stars a resplendent Nadine Sierra. Our review:

Inspired by Taylor Swift’s “Showgirl” single “The Fate of Ophelia,” listen to a playlist of songs that use the tragic “Hamlet” heroine as inspiration.

The avant-garde music that emerged from World War II is historical, yet it continues to influence how audiences view contemporary music. Why?

Natalie Palamides and Julia Masli are among the stars of a new clowning movement that revels in the comedy of failure, writes our critic. How did these fools become prestige?

“You remember the guy who keeps saying I have no ratings? Well, that makes two of us,” Jimmy Kimmel said. Catch up on the Best of Late Night.

“Last Rites,” a book detailing the final 15 years of the metal luminary Ozzy Osbourne’s life, is arriving at the same time as “No Escape From Now,” a documentary about a challenging period. Here’s what we learned from them.

Chris Dreja, a founding member of the Yardbirds, who as a rhythm guitarist and bassist was a “rock” for a band whose fiery lead players, Eric Clapton, Jeff Beck and Jimmy Page, had no shortage of ego, has died at 78.

Ivo van Hove’s stark production of “Don Giovanni” has returned to the Metropolitan Opera with a uniformly excellent cast, our critic writes.

Madi Diaz has written songs for Maren Morris and toured with Harry Styles. Her new album, “Fatal Optimist,” is bravely bare.

The final music cue in “One Battle After Another” is an especially fitting one, writes our critic, because the song, “American Girl,” has such a rich cinematic history.