We're looking for a voxel/pixel artist for Levers and Chests. Please contact @BitshiftEnt if you're in the LA area and are interested in joining the team.

Mystic Well, 1990 (Atari ST).Thanks for the adventure, Jim!

Today was a good day. I didn't end up doing what I said I was going to do in the morning meeting, but I *did* do the thing I said I was too lazy to do. My biggest motivator is proving I could, after all.

Considering making level gen unable to stack rooms without explicitly tagging what floor everything belongs to, JUST to be able to get clean minimaps out of it. We could go full daggerfall I suppose. But I kinda want that ultima underworld feel on the maps.

Why did they make the new LaCroix have more flavor? These are horrible now.

RT @RWSstudios: Same problem, different times. Almost like a reskin.

Imagine if old movies and books got erased from history to encourage consumers to buy new ones. Well, it's happening in gaming. If you live in the European Union, consider signing this:

Deku Deku Literature Tree.

"Today I'm going to make enemies attack the pla-".*implements a source map parser instead*.whoops.

I checked out the demo for EMOTIONLESS: The Last Ticket because liminal space amusement part horror sounded fun. But the Unreal Engine is making it hard to tell what's supposed to be a scary special effect and what is just a result of me daring to movie the camera.

Don't make my mistake and refer to grayscale as monochromatic. Grays and whites contain ALL the visible wavelengths, which is the opposite of just one. The term is monochrome, which I guess I thought sounded less "smart" than monochromatic. I just thor myself a new one.

For the first time, Levers and Chests is starting to feel like a game. Still almost all of it left to do, as usual, but we seem to have been chipping away at something!. We've even got stereo sound.

Finally beat Tears of the Kingdom. Currently experiencing postpartum depression, never had this much free time before.

Kaizen: A Factory Story.Final score: 2/5. There's a story and a lot of dialogue, with super easy automation puzzles in between, all set to bopping midi music. The first puzzle I found interesting at all turned out to be the final puzzle. I beat the game in less than a day.

For real though, the Zelda team at Nintendo are insanely good at game design. It feels good, and weirdly nostalgic, to be able to trust a game like this. I'm not trying to beat the game. We're trying to beat ganon.

Aw man, now I gotta wake up a dragon or some shit?. I knew that Ganon fight felt too easy.

RT @DanielWienerson: death frame #2

A Zelda walks into bar and orders "the Hylian usual", which results in some comedic misunderstanding.

Now THAT's a good Master Sword backstory!. (Tears of the Kingdom. Also, I ended up LOVING exploring the Depths somehow).

I suppose the Epstein video edited itself too.

RT @TobyTurner: guy named Pirate Software.is against purchasing and owning software. I mean that's consistent.