Minor Compositions
@minorcomps
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Publisher of books and media drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life.
Port Watson
Joined February 2014
Palestine solidarity gestures have multiplied in football—often referring to Handala, an iconic cartoon character and symbol of hope.
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Worker’s Song.Franz Nicolay on the challenges of organizing the music industry.
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Open access version of the French translation of "All Incomplete" by Stefano Harney & Fred Moten can be found here:
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Minor Compositions Podcast Episode 28 Band People with Franz Nicolay.
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This game is gonna be awesome. Heard that in addition to great on the pitch challenges you also have to evade border controls, work on no budget, and deal with repressive governments!
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Totality and Feminist Life: Reading Silvia Federici on Lukács’s Aesthetics.Image: From Pedestal to Platform, Working Women’s Labor Day Challenge, poster, 1972. MayDay Rooms, London.
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Liberating Esoterics? For Anti-authoritarian Re-appropriation of Esotericism by Art.July 4-5, .Casco Art Institute: Working for the Commons, Utrecht.
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The contemporary Conflict of the Faculties, or Why you Kant study in the university anymore, zombie neoliberalism edition
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RT @All__Incomplete: @gudcur1 in All Incomplete, Moten and Harney talk about the formation of the Subject as a property relation, figure of….
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Turns out the feminism to fascism pipeline has been in operation for longer than you would have thought (if you had thought of it at all).
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Minor Compositions Podcast Episode 27 Free Jazz, Revolution and the Politics of Peter Brötzmann.
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Susheela Raman and Sam Mills performing an absolutely amazing version of one of the best poems ever by the immortal William Blake.
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Now available for advance ordering and/or free download….Feral Class - Marc Garrett.Untamed, Unheard, Unstoppable… a moving memoir about being a working-class artist… Art on the Margins, Life Without Permission.@marcgarrett20
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Curators, Community, and Institutional Relevance. In this essay Amber Nax builds on Curating and the Commons’s focus on that which we all share, offering further insights on more community-oriented curators, practices, and spaces. .
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