Mascara Publishing is proud to stand alongside Verso and other publishers who are calling for a ceasefire and denouncing repression of Palestinian solidarity. Read Publishers for Palestine's statement here. https://t.co/YewKkcXdsq

"... what stays with me ... is a dancing image, of legs in the air. An enduring question of what being trans is, beyond what you reveal or don’t reveal & apart from the connection & self-realisation, is what you do with the gaze." @LittlePussPress https://t.co/XPUQapX6hN

#review 'Her prose is clever, witty, there are breasts that ‘seem to want you to consider them for a position’(p.170), her ‘favourite Sergio Rossi shoes used to moo’ (p.112) and Nietzche’s ‘ectoplasmic moustaches curl like smoke’ (p.80). ' @LittlePussPress https://t.co/XPUQapX6hN

“Who resides in which spaces? Who belongs and who are rendered outsiders? Who is constituted as the knowledgeable and the unknowledgeable? Which knowledges and ways of knowing are legitimised and which are discounted?” (165) @DukePress https://t.co/LsQlSL13HN

#review “In North America, the binary that distinguishes the “academy” from the “community” or the academic from the activist […] has assisted in the creation of apparently distinct spaces where the former is privileged over the latter.” (164) @DukePress https://t.co/LsQlSL13HN

Aishani Misra (UG’27) from the Arts & Culture desk reflects on politics, privilege, and the celebrity in Arundhati Roy’s latest memoir, Mother Mary Comes to Me.

How to donate and subscribe to the journal. 🙏🏽🪔🦚🪷🐚🪕🦢 https://t.co/9wY1q7SA5c

In the latest in a series of critical essays supported by @CopyrightAgency, Nalini Jacob-Roussety reviews THE NIGHTMARE SEQUENCE by poet Omar Sakr and illustrator Safdar Ahmed. https://t.co/K97q72arQR

I had the pleasure of speaking/sharing my work at UofConnecticut Sociology. Many thanks to Nancy Naples for this kind invitation. I spoke on the coloniality of caste in academic and knowledge structures - in and beyond South Asia and the Atlantic world academia.

Our solidarity with Prof Francesca Orsini, linguist and scholar of Hindi at SOAS who tonight has been denied entry into Delhi at Indira Ghandi International Airport. She had a current visa and was a frequent visitor to India. All those of us who visit India and research on India

Join us for webinar on "Ways of Remembering: Law, Cinema and Collective Memory in the New India" 🗓️ 30 October 2025 🕧 12:30 PM 📍 Online via Zoom https://t.co/jKP0qIhmEK

Such good news! Traditional owners handed 900,000ha of Cape York land after 255 years 🍾 https://t.co/1n0V2hqftb

Now reading

cool to see this new essay discussing indigenous poetry, including my own.

Amazing line up for a One Day Literary Event for emerging writers #lutruwita @krissykneen @UTAS_ @UTASEnglish https://t.co/RmtR72o3M0

#OnThisDay in 1901, sculptor Alberto Giacometti was born. "I paint and sculpt to get a grip on reality... to protect myself."

In September I visited Shunjusha, my Japanese publisher for The Wandering (彷徨). I had the chance to see the other titles in the Asian Literature Library series and met editor @asn5x. An interview will soon be available on the @shunjusha website: https://t.co/LaZCyveGLL

#review #fiction 'Her female characters, in their unique way, have always seethed, raging against expectations, family, work, school, men, other women, always incandescent, always bristling with life.' https://t.co/r2cXsJPKme

"What emerges, across forty-eight short and interweaving chapters, is both a rich personal story and an impressive work of scholarship that resists what Sahhar has elsewhere called the “tabula rasa of the settler imagination” (1). @FinleyJapp https://t.co/RjuePFIkPX

BREAKING NEWS The 2025 #NobelPrize in Literature is awarded to the Hungarian author László Krasznahorkai “for his compelling and visionary oeuvre that, in the midst of apocalyptic terror, reaffirms the power of art.”

In this beautiful video, Resmi Revindran, who, after a career in engineering and finance, is now on a journey nurturing her passion for arts and literature, reads a poem from Alone in the Night River by Mukunda Ramarao, translated from the Telugu by M Sridhar and Alladi Uma.