
Lucy Thraves
@lucythraves
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online editor @thewiremagazine (own views)
London, England
Joined November 2012
RT @Alex_Niven: This vital & devastating review by @lucythraves of Patrick Galbraith's aristo-eco farrago Uncommon Ground starts like this….
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RT @fieldinghope: **unbearable neek voice** - "actuallllly, one of the albums of the year is a mix" 🤓.
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RT @thewiremagazine: The Wire Magazine is now on BlueSky @thewiremagazine.bsky.social. You can also follow us on Instagram and Threads, @….
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RT @Alex_Niven: Thank goodness we still have an extremely clever centrist elite dominating the cultural/political establishment & publishin….
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RT @Taj_Ali1: BREAKING: The Palestine Solidarity Campaign have projected a video onto Parliament showing the immolation of Shaban Al Dalou.….
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RT @LRB: ‘Noise, to those who involve themselves in it, has a mystical power and presence, and the problem with intentioned taste is that i….
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Really recommend this illuminating, comprehensive survey of pop music history. Congrats @TobyManning.
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RT @sethnotes: Tommy Robinson is a convenient (yet nonetheless dangerous patsy) by which the state (in both its Tory/& Labour Party variati….
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Looking forward to talking all things David Lynch and his use of sound after this screening of Wild At Heart, whose soundtrack is a mad dial-spin of genre, era & mood. Come along - I’ll be dressed as the baby from Eraserhead.
"I guess I had this need to do crazy things.". High-kicking Nicolas Cage makes the greatest entrance in the history of the Wogan chat show in 1990 to promote the release of David Lynch's WOLD AT HEART. Screening at The Rio Cinema 31/07/24. In association with The Wire, a
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RT @thewiremagazine: Inside The Wire 486: Theodora Laird & Caius Williams. The duo’s investigations of space are propelled by a creative an….
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RT @thewiremagazine: To mark The Wire's new issue ft essays exploring the sound world of David Lynch and an interview with the director, Th….
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RT @unsunghunger: @Cherche__Encore 'An improvised dialogue between double bass & voice that recalls the sensation of holding two magnets cl….
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RT @novaramedia: More than 10,000 of you are watching our #ElectionSesh livestream right now. Don't miss out on the best, independent cover….
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Wrote about what happens when people click their fingers in Twin Peaks for this very Lynchian edition of @thewiremagazine
The Wire 486 is out now! David Lynch & Chrystabell: The director and singer.unpack their dream-like songs over a damn fine cup of coffee. By Britt Brown. Plus: 19 pages on The Sound World Of David Lynch, Dhangsha Invisible Jukebox, Discreet Music + more!
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Appropriately for today's internet theme of weird outfits and hair, the Wire 484 (out today) includes my review of @strangepress's Incredible String Band compendium.
The Wire 484 is out now! Shellac: The US noise rock survivors are hard as rails on long awaited new album To All Trains. By Emily Pothast. Plus: Arnold Dreyblatt, Robyn Steward, Zoh Amba, Iceboy Violet, Kalia Vandever, Normil Hawaiians, and much more!
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Reviewed @kristinhersh's book 'The Future of Songwriting' for @thewiremagazine 483, also mesmeric @brichaimbeul at Hackney Round Chapel + gorgeous records by Anastasia Coope and Clarissa Connelly
The Wire 483 is out now! Still House Plants: London’s post-post punk trio use deconstructed songform to tap emotions others cannot reach. By Frances Morgan. Plus: NikNak, Cheer-Accident, Kristin Hersh’s Jukebox, Lolina, FUJI||||||||||TA, and much more!
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RT @thewiremagazine: Inside The Wire 482: Shovel Dance Collective. Combining the extremely trad with the incredibly weird, the London group….
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For @thewiremagazine 482 I chatted to @ShovelDance about the radical potential of folk music. Also reviewed Begayer's challenging record Évohé Bègue - a far more convincing bacchanal than Saltburn.
The Wire 482 is out now! Darius Jones: The New York based composer and saxophonist draws connections between Fluxus and US avant jazz. By John Morrison. Plus: Steve Roach, Clarissa Connelly, [Ahmed], Ka Baird's Jukebox, Shovel Dance Collective and more!
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