JL Javier
@jltjavier
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what it feels like opening GCash these days trying to get to the QR scanner and dodging everything else that somehow opens or appears
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I know I’ve been profiled the way my gym co-member keeps showing me TikToks about gay people um
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RT @capableofluv: Analyzing every second of "Illegal" by PinkPantheress. 0:00 - Silence, implying that the song has not started yet. https….
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Pleaseeee I need to know how to console myself during turbulence because why was this me on my flight just now 😭
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They’re really not kidding when they say Siargao’s full of white people like I’m lowkey uneasy… and disgusted…
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RT @apaagbayani: We shot “Abutan man tayo ng house lights” two years ago today. It’s a film I got to make with many dear friends and a film….
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Is it this certain corporation's strategy to make their payment collection process as demanding and convoluted as possible to, I don't know, intimidate suppliers from getting the money they're owed?.
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Telegram, WhatsApp, and Messenger need to just join forces to defeat the real enemy which is Viber.
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The way I am constantly second-guessing or even downright HATING myself while some people are out here na jusko saksakan lang sa yabang 😭.
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Kakaiba talaga making plans with oomf “Okay, so 1 PM? Wait 1 PM mo ako susunduin or 1 PM ka aalis para sunduin ako…?” “Let’s just say something will be happening at 1 PM.” like what the fuck?!? 😩.
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can now be easily manipulated and generated. We still need to sound the alarm over that, but also when did we ever have an absolute grasp on the truth, anyway? Any story is JUST someone’s story; we always need to think about Who is saying What, even in history, even in images.
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Not super into American history but this was a pretty cool piece about documentation and how things are “canonized.” Can’t help but think about our current crisis, how photos and videos — that we may once have regarded as “infallible” records of reality —
nytimes.com
A growing body of evidence suggests she might have survived into old age — which would entirely change the story of America’s most iconic Native forebear.
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RT @ani_obsessive: Concept art by Teddy Newton for The Incredibles (2004), dir. Brad Bird, Pixar
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