The Apple TV+ series, starring Jon Hamm as a hedge funder turned thief, serves up luxury porn in the guise of social critique.

The industry has long loved to tell stories about itself—but, in 2025, the self-satirizing has an air of crisis management.

In the culmination of the Hilary Mantel adaptation, Mark Rylance’s Thomas Cromwell becomes a more poignant figure, weighed down by regrets.

The Michelle Williams-led series, about a woman seeking erotic fulfillment amid a terminal diagnosis, starts off as an unorthodox comedy—then deepens into something far better.

In the culmination of the Hilary Mantel adaptation, Mark Rylance’s Thomas Cromwell becomes a more poignant figure, weighed down by regrets.

The Michelle Williams-led series, about a woman seeking erotic fulfillment amid a terminal diagnosis, starts off as an unorthodox comedy—then deepens into something far better.

The hectic medical drama, now streaming on Max, is a throwback to a different era of television—and a counterintuitive comfort watch.

In the third season of Mike White’s HBO satire of the rich and terrible, a now familiar formula yields diminishing returns.

The hectic medical drama, now streaming on Max, is a throwback to a different era of television—and a counterintuitive comfort watch.

The sci-fi series was hailed as a dark, timely satire of office life—but its return is bogged down by abstract ethical conundrums and rote emotional ones.

From HBO's Industry to FX's The Bear, 2024 was full of TV characters working out their "daddy issues" the tough way...by committing patricide. This week Brittany is joined by Vulture's TV critic...

In an otherwise bleak year for television, a few truly great entries shone all the more brightly.

Satirizing the superhero-blockbuster business, HBO’s new comedy finds mostly easy targets, but eventually something more.

The FX adaptation of Patrick Radden Keefe’s book captures both the allure of the I.R.A.’s cause and the way violence comes to weigh on its perpetrators.

The FX adaptation of Patrick Radden Keefe’s book captures both the allure of the I.R.A.’s cause and the way violence comes to weigh on its perpetrators.

Alfonso Cuarón’s foray into television is a work of such vacuity that even Cate Blanchett can’t salvage it.

Apple TV+’s soi-disant succession drama may gesture at weighty themes, but it’s soapier—and often more fun—than its prestige counterparts.