i cut together the best egg scenes in movies

now seated for THE HOLIDAY projected on DVD with live saxophone

Why guess when you can know?

the new ZR that Nikon developed with RED is an affordable cinema camera that shoots in a RAW codec that used to be reserved for high end filmmaking. i paired it with the DZO Vespid 2's which are killer cheap cinema lenses. go shoot something and make real things🤘

i shot this with new Nikon/RED digital cinema camera that only costs $2200

Did you know if you point your iPhone camera at something cool and tap the little circle it will take a photo? that's how I created these images.

America needs you! Join U.S. Immigration and Customs Enforcement today.

theaters used to show cool shit like this before the movie and now you gotta sit through AI-generated slop commercials

some pictures i took of my car this morning

you’ll never out hat me

filmed a BBQ joint the other day... here's some frames

when people say movies look too clean they really mean the kitchens

i made this film for everyone posting AI slop

how it feels to watch a movie projected on film

photographs i captured with my pocket computer

i visited LIGHTSTORM in LA for a private screening of some footage from AVATAR: FIRE AND ASH in James Cameron’s Dolby theater. it was a crazy experience, and I’ll have more to share soon… but i also brought my anamorphic setup and got to shoot some real props.

why shoot a movie on a $60k camera when you can shoot it on this?

some pictures i took inspired by christopher nolan

asked a buddy in NY to grab me a jacket and he ended up shaking Timothée’s hand… i love that for him but it should have been me

wearing this with the marty supreme jacket would be the greatest fit of all time

Paul Thomas Anderson reminding everyone that THE TERMINATOR is still peak for night cinematography.

movies i shot in new york city last night

HAMNET - I am broken. There are moments that Chloé Zhao crafts in this film that are choking me up while writing this… It’s so beautiful and pure. One of the best films of the year, and every filmmaker should be moving mountains to work with Jessie Buckley.