Fabulosa is a blend of historical influences from the 19th-century ‘fat face’ and the flair of Ed Benguiat’s Caslon Black Swash of the 1960s. The ‘fat face’ style was pioneered by type founder Robert Thorne (1753–1820). Laura’s fabulously flamboyant Fabulosa is just perfect for

Designed for immersive reading, Linh Nguyễn’s new Gieo Text font family has subtly slanted stems and asymmetrical serifs — all designed to lead the eye across the page. https://t.co/FgaXXwhzRo

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Acorn by Simon Walker of Beasts of England Not an easy one to classify, but those are the typefaces that tend to stand out. Especially good if you’re looking for that kind of back-to-the-future, retro-meets-modern look. Try it in your next ads, or use the Acorn web fonts for

Steven Heller’s Font of the Month for November 2025 is Archive Matrix by Pieter van Rosmalen: https://t.co/kA6ryLa7J7

Brand new font family Curve Display is on sale for a limited time. Grab the fonts here: https://t.co/CmcugwfStK

"Teach smarter: listen to your students first." -Craig

Joining in the Flink superfamily, we welcome Flink Slab, a versatile slab serif with tons of personality: https://t.co/dtaUGrMbnO

The Americane font family by HVD is a beautiful tribute to early grotesques with roots in wood types. In the light weights, it feels crisp, clean, and modern; in the heavier weights, its woodtype pedigree shines through magnificently: https://t.co/7q891fnX0k

Some Deals of the Week: Grimmig is a novel, angular serif family ideal for impactful headlines and standout editorial design. 50% off: https://t.co/pcjElFAYKw

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A reminder to check out the wildly expressive Juma typeface by Cyla Costa and co. Get the full family for just $25 from the ILT Store: https://t.co/tsN46UFiq4

Ponta Text is one of our best-selling humanist sans font families. We recommend it for any editorial design; it looks fantastic in text (& as web fonts), and the heavier weights rock in display settings — both in print & online. Get the family here: https://t.co/ZHOJBWLEuz

Artusi Grande from Zetafonts is a deliciously bold, high-contrast gem of a font family. https://t.co/H7TTvw9eDW

A remarkably innovative and versatile stencil family from Lucas Fonts. The Stencil’s OpenType magic introduces yet more variety in the form or direction of the bridges, from simplified, horizontal and vertical to radial and mixed. https://t.co/1CQpqVhXB3

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The award-winning Chapitre is based on the principle of the endless knot, a symbol used particularly in Hinduism and Buddhism. https://t.co/A9sCHr0SM7

Medusa from Retype Foundry is a graceful, fluid, and crisp gem of a script. Ideal for menus, invitations, and high-end product packaging. Comes with an ornaments font too. Get the fonts here: https://t.co/9TbxKQQzjC

Martin Majoor’s Comma Base is a wonderful serif-looking sans that we recommend for editorial design, packaging and book covers. https://t.co/jTOV1KrTf7

Rig Solid, a layer typeface by Jamie Clarke is such fun to play with. https://t.co/NDeZMNmvqP So many possibilities!

Performance Matters. Precision Matters. Predictability Matters. Introducing OptiBLOCK mini

Set in Fleisch: https://t.co/SmAvenZA5l

Fell Type Premium, a beautiful text face with stunning ornaments and borders: https://t.co/FACGsXPi4N

Hot on the heels of the best-selling Rollerscript, G-Type has done it again with the brand new Goskar. This beautiful script is available in 4 weights. https://t.co/j6V1Yn74dY